A Courtly Garland for Baroque Trumpet

A Courtly Garland for Baroque Trumpet
Orpheus Britannicus, Robert Farley, Andrew Arthur
Resonance Classics RES10220. 79’57

The 17th-century was a time of dramatic musical invention, both compositionally, and instrumentally, with several now mainstream instruments going through their birth pangs, or re-birth pangs. One such was the trumpet, hitherto a largely military or ceremonial instrument, with little, if any, music of real significance composed for it. It was the development of the clarino style of playing in the higher registers that freed the trumpet from its lower register, only capable of playing restricted arpeggio-like notes. The more melodic notes in the upper reaches of the harmonic series allowed for more tuneful writing. Girolamo Fantini (1600–1675) was one of the first known trumpet virtuosos, described as “the monarch of the trumpet on earth!” After five years in the service of Cardinal Scipio Borghese in Rome he was appointed principal Court trumpeter to the Grand Duke of Tuscany. In 1634, played in a concert with the famous organist/composer Frescobaldi (1583–1643), organist of St Peter’s Basilica in Rome. This seems to have been the first known recital of music for trumpet and organ, a popular combination to this day. Fanni is represented on this CD by four short pieces.  Continue reading

Gonzaga Band: Venice 1629

Venice 1629
The Gonzaga Band
Resonus RES10218. 68’27

Music by Castello, Monteverdi, Marini, Schütz, Grandi, Pesenti,
Tarditi, Carrone, Donati, and Rè

The Gonzaga Band, as the name suggests, was founded to explore the
music of late Renaissance Italy, their name inspired by the Mantua seat of the Gonzaga family, where Claudio Monteverdi had been their maestro della musica. However, this recording is centred in Venice, around 150km east of Mantua. The year 1629 is when Schütz, then  Hofkapellmeister of the Saxon court in Dresden, made a second visit to Venice to learn more about the music of Monteverdi and his contemporaries. Monteverdi had been maestro di cappella at St Mark’s since 1613, and the style of Giovanni Gabrielli, under whom Schütz studied in Venice a couple of decades earlier, was beginning to be superceded by the new style of the early Baroque.  Whilst there, Schütz published the first volume of his Symphoniae Sacrae. The same year also saw the publication of music by Dario Castello, Alessandro Grandi, Biagio Marini and others. This recording explores the extraordinarily productive musical life of Venice during that single year of 1629, with pieces from the musical greats of the city, as well as lesser-known composers.  Continue reading