Arvo Pärt & Robert White
Sansara & Fretwork
St John’s, Smith Square, 14 April 2022
For many years, St John’s, Smith Square has been the musical place to be in the run-up to Easter. This year’s Easter Festival was no exception. The seven-day event included regulars such as Polyphony, in their traditional Good Friday Passion, alongside the usual focus on other early music performances. The first two events rather countered that focus with the 1915 Rachmaninoff All-Night Vigil opening the festival followed by Dupré’s 1931 Le Chemin de la Croix for organ. Another was the concert by the vocal group Sansara and the viol consort Fretwork, reviewed here, which contrasted music by the contemporary Estonian composer Arvo Pärt with Robert Wight’s Lamentations à 5.
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Music in a Cold Climate: Sounds of Hansa Europe
In Echo, Gawain Glenton (director)
Delphian DCD34206. 67’32
In Echo is a new period instrument group, directed by the cornettist Gawain Glenton. Their core instrumental line-up of cornetto, violin, sackbut (doubling violin), bass viol and keyboards has been expanded for this their debut recording by an additional violin/viola, bass viol and, in one piece, a violone. Their programme retraces the route of musicians active in the Hanseatic League (Hansa) during its heyday in the 16th and 17th centuries. The league was a trading partnership encompassing several countries, from Tallinn to London via the Germanic free cities of Lübeck, Hamburg, and Bremen and similar ports in Holland, Denmark, Norway, and Sweden. The CD programme notes mention that the represented composers “each looked beyond their own shores and toward a sense of shared European culture and understanding” – a timely reminder today of the importance of freedom of travel for musicians. For this recording, In Echo also commissioned a new composition to complement the early pieces – Andrew Keeling’s Northern Soul. Continue reading →
‘New discoveries for an ancient instrument’
Richard Boothby, viola da gamba
Garrick’s Temple, Hampton on Thames,
Loki Music, 23 September 2016
One of the most delightful of London’s music venues is Garrick’s Temple to Shakespeare Garrick’s Temple to Shakespeare, by the Thames just upstream from Hampton Court Palace. Built in 1758 by the actor/manager David Garrick as part of his riverside estate, this tiny octagonal room is host to a number of cultural events, including regular summer music concerts run by Loki Music. The last of this season’s Loki concerts was given by the distinguished viola da gamba player, Richard Boothby, founder of Fretwork and the Purcell Quartet.
The first half was particularly interesting, with five of the recently discovered Fantasias for solo viola da gamba by Telemann (TWV 40:26-37). Continue reading →