32 Ricercatas & 19 Canzonas (Ed. Erich Benedikt)
Vol 1: Ricercatas I-XIX
52 pages • ISMN: 979-0-012-19074-5 • Softbound
Doblinger DM 1336
Gottlieb Muffat is one of those unfortunate composers who is overshadowed by his father, in his case, Georg Muffat. The latter was one of the key instigators of an international keyboard style, infusing the Italian keyboard influence of Frescobaldi with musical influence from France. Gottlieb is generally known, if at all, through his connections with Handel, who ‘borrowed’ an extraordinary amount of his music, notably in the Ode to St. Cecilia’s Day, Samson, Joshua, and Judas Maccabeus. mostly from the six Suites in the 1736 Componimenti Musicali.
This edition of Gottlieb Muffat’s 32 Ricercares and 19 Canzonas (Die 32 Ricercaten und 19 Canzonen) was first published by Doblinger in 2003 but has now been reissued in a smart new cover. Volume I (of three) includes the first 19 Ricercatas, plus an additional variant of Ricercata VII. The first three Ricercatas of this volume set are highly ornamented, in the manner of Georg Muffat, but there are few, if any, ornaments in the other Ricercatas. Muffat’s own table of ornaments from the Componimenti Musicali are included in this volume and are essential reading if you are to grasp the musical style of the period. As complex as they may seem (for example, there are 9 different types of trill), understanding them is essential in performance. Incidentally, knowledge of ornaments like this will also help to make sense of some of John Blow’s music, such was the international influence of the Frescobaldi/Froberger ‘school’. Having grasped the concept from the first three Ricercare, adding ornaments to the other pieces would be entirely appropriate. Continue reading