Rameau: Pigmalion

Jean-Philippe Rameau: Pigmalion
Dunedin Consort, John Butt
Spitalfields Music Festival, Christchurch Spitalfields
Online premiere, Tuesday 6 July

Jean-Philippe Rameau’s Pigmalion is an acte de ballet first performed in August 1748 at the Opéra in Paris to a libretto by Ballot de Sauvot. It was apparently composed within a week at the request of the management as a means of raising much needed revenue. It has since become one of Rameau’s finest one-act works, although performances are rare. It is based on the story in Ovid’s Metamorphoses where Pigmalion falls in love with the beautiful female statue he has just sculpted, to the chagrin of his fiancée Céphise. Pigmalion pleads with L’Amour (the goddess Venus) to bring the statue to life. As the statue comes to life and learns to sing and dance, Cupid arrives and praises Pigmalion for his artistry, followed by dancing and singing in praise of the power of love. Cupid helps Céphise to find a more appropriate lover.

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Innsbrucker Festwochen der Alten Musik 2017

Innsbrucker Festwochen der Alten Musik
Innsbruck, 21-23 August 2017

The Innsbruck Festival of Early Music runs annually for about three weeks during August. It was founded in 1976 and since the start has focussed on Baroque opera, in recent years usually performing three each season. Between 1991 and 2009 René Jacobs was the director of the opera programme and, from 1997, the entire festival. Since 2010 the festival has been directed by Alessandro De Marchi, who instigated the International Singing Competition for Baroque Opera Pietro Antonio Cesti, named after Antonio Cesti, a 17th-century Italian singer and composer who served at the Innsbruck court of Archduke Ferdinand Charles of Austria.  The focus this year was on the music of Monteverdi, and included a staged performance of Il ritorno d’Ulisse in patria. Unfortunately, I was only able to attend for three days, so my review is necessarily limited in scope.  Continue reading