Bach: Well-Tempered Consort 1

J S Bach: Well-Tempered Consort – 1
Phantasm
Linn CKD 618. 66’55

Cover CKD 618

This CD could well become essential listening for all organists and harpsichord players, alongside the various examples of Bach organ works played on recorder consorts. Transferring Bach’s keyboard works, such as The Well-Tempered Clavier, Musical Offering and Clavier-Übung III, to a viol consort reveals the sensitivity of timbre possible with bowed string instruments rather than a plucked or wind-blown one. Of course, keyboard players have their own, often complex, way of imparting musical expression to their playing within the limitations of their particular instrument, principally by using aspects of touch and articulation. But it is only the clavichord, which was arguably the instrument of choice in the Baroque era, that has the ability to change the nature of the sound of a note once it has started sounding, using the technique known as bebung which imparts a controllable vibrato to sounding notes.

Continue reading

Dowland: Lachrimae

John Dowland: Lachrimae or Seven Tears
Phantasm, Elizabeth Kenny, lute
Linn Records CKD527. 57’00

Dowland: Lachrimae or Seven TearsWhat a gorgeous CD! As well as Dowland’s famed seven ‘tears’ (lasting around 26’) we also have a balancing succession of dances, many based on Dowland songs. The pieces in the 1604 Lachrimae publication were used by generations of other composers’ in their own versions and variations. Key to viol consort music like this is the balance between the instruments. Unlike some of their concerts, where the treble viol can dominate, here the balance is perfect, not just between the five viols, but also with the delicate tone of the lute, played with superb conviction and musicality by Elizabeth Kenny. Continue reading

Regensburg: Tage Alter Musik 2015

Regensburg: Tage Alter Musik
22-25 May 2015

WP_20150526_13_01_29_ProFor those with limited time but an insatiable urge to attend early music concerts, I can recommend the Tage Alter Musik festival in the delightful Danube city of Regensburg (the entire city centre is a World Heritage site). With no fewer than 17 concerts in just 4 days, this is not for the faint-hearted. But the musical rewards and the historical venues (which include extreme Baroque, austere Gothic and the Reichssaal, for centuries the seat of the Parliament of the Holy Roman Empire) are worth the attempt. Continue reading