Early Music Day 2021

Early Music Day 2021
Andrew Benson-Wilson
21 March 2021

This time last year, I had planned to give four concerts for Early Music Day, with three Bach organ recitals (shared with baroque cellist Poppy Walshaw and flautist Annabel Knight) and a special evening concert combining Art Of Moog with the historic organ of St Giles-in-the-Fields. A year later, there is still no possibility of live events in the UK, so here is a far more modest contribution to Early Music Day 2021, with links to recordings of early organ music played on important European historic organs, either from my own recitals or more informal playing.

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German Renaissance Organ Music c1460-1577. Programme notes

The Queen’s College Chapel, Oxford.  25 November 2015
German Renaissance Organ Music  c1460-1577

Andrew Benson-Wilson

Conrad Paumann (c1410-1473) Gloria de Sancta Maria Vergine
Paul Hofhaimer (1459-1537)      Salve Regina  5v.
Hans Buchner (1483-1538)         Gloria patri in la quarto toni
Hans Kotter (c1485-1541)           Kochersperger Spanieler
Arnolt Schlick (c1460-c1521)    Da pacem
Bernhard Schmid I (1535-92)    Ein gutter Wein ist lobenswerdt    –    Sicut mater consolatur

Queen's photo.jpgThe start of the Renaissance is difficult to define. In organ music, around 1450 seems a reasonable date, with music from the likes of the Buxheimer Orgelbüch and the Faenza Codex combining elements of Medieval and Renaissance styles. By this stage, the organ had a fully chromatic keyboard, sometimes more than one manual, and independent stops were beginning to be separated out from the Medieval ‘Blockwerk’ – the equivalent of single mixture where one note plays a chorus of ten or more notes.

The first piece demonstrates this transitional phase. Continue reading