Pachelbel: Organ Works, Vol 1
1965 Frobenius Organ, The Queen’s College Chapel, Oxford
Resonus RES10285. 71’03
In what promises to be a comprehensive survey of Johann Pachelbel’s organ music, Matthew Owens explores what is probably this enigmatic composer’s least appreciated genre. Pachelbel (1653-1706) was based in South Germany at a time when the famous North German organ school was at its height – he died a year before Buxtehude. His music has been overshadowed by his contemporaries in the northern cities, and this series of recordings should do much to rekindle knowledge of his specific musical style. It will hopefully put to rest his unfortunate post-1970s reputation as the composer of the famous Canon – a piece that is hardly ever performing in a style that Pachelbel would remotely recognise.
A Wells Christmas
Wells Cathedral Choir
Jonathan Vaughn, organ, Matthew Owens, conductor
Resonus RES10176. 61’54
Music by David Willcocks, Andrew Carter, John Rutter, Kenneth Leighton, Thomas Hewitt Jones., Bob Chilcott, Jefferson McConnaughey, Matthew Owens.
The Wells choir dates back to the year 909 with the earliest mention of singing boys, the full choral tradition going back around 800 years.For more than 1000 years, the tradition of cathedral choirs is one of the foundations of the UK music industry, nurturing an enormous number of young musicians (albeit almost exclusively the male offspring of white middle-class parents) and then providing employment for some of them in later life. After a 1991 equal opportunities challenge in the European Court, Salisbury became the first cathedral to start a girls choir and the male domination has been lowly decreasing. Wells started their girls choir 3 years later, although curiously they do not usually sing together with the companion boys choir. However this CD uses both It is billed as “an irresistible array of popular carols and more recent offerings” and a “scintillating and varied programme vividly realised by the combined boy and girl choristers and Vicars Choral”.
Unlike the other two Christmas CDs I have reviewed here, this CD uses the full forces of the cathedral organ, both in accompaniment role Continue reading