The Sixteen at Christmas

The Sixteen at Christmas
Harry Christophers, Frances Kelly (
harp)
The Anvil, Basingstoke, 4 December 2019

As their 40th anniversary year draws to a close, The Sixteen’s seasonal tour of their ‘Sixteen at Christmas‘ programme stopped by at Basingstoke’s Anvil concert hall for a varied selection of music for Advent and Christmas. Their focus was on traditional medieval and 20th and 21st-century composers, most of the latter influenced by former. Until the Ding dong encore, it avoided all the usual carols of childhood memory. The key piece was the concluding Ceremony of Carols by Benjamin Britten, a sequence of pieces based on medieval texts that he started writing during a 1942 Atlantic crossing. Continue reading

Gabrieli Consort: A Rose Magnificat

A Rose Magnificat
The Gabrieli Consort, Paul McCreesh
St John’s, Smith Square. 8 June 2017

Leighton Of a Rose  /  Tallis Videte Miraculum á 6
Warlock As dew in Aprylle  /  White Magnificat á 6
Macmillan  /  Sheppard  /  Park Ave maris stella
Wylkynson Salve Regina á 9  /  Howells Salve Regina
Lane There is no rose  /  Matthew Martin Rose Magnificat (world premiere)

This fascinating concert collected together a seemingly random selection of pieces from old to very new, all dedicated to the Virgin Mary. Grouping the pieces in twos or three enhanced the experience of contrast, starting with the pairing of Kenneth Leighton’s setting of the 15th century text Of a Rose with Tallis’s magnificent 6-part Videte Miraculum. Soprano Ruth Provost was the soloist in the Leighton, weaving the refrain Of a Rose around and through the rhythmically homophonic choir texture. The contrasting tight-knit and multi-stranded polyphony of Tallis, with his distinctive ‘false relations’ provided a perfect contrast. This pair was followed by the slithering close harmonies of Warlock’s short and rhythmically complex double choir As dew in Aprylle, contrasted with White flamboyant and expansive six-plus part Magnificat, the continuous inner movement and long melismas of the latter giving the piece a timeless quality. Continue reading