Mattheson: The Melodious Talking Fingers

Mattheson: The Melodious Talking Fingers
Colin Booth, harpsichord
Soundboard SBCD 220. 69’47

Mattheson CD

Many music lovers will have heard the name of Johann Mattheson (1681-1764), and may perhaps have heard of his 1739 Der vollkommene Capellmeister, his rather shaky polemic on music theory, but few will know much of his music. An enigmatic figure in 17th century Hamburg, he is perhaps best known today for nearly killing Handel during a fight in the Hamburg opera, Handel apparently surviving by a well-placed button that deflected Mattheson’s sword. His early career as an organist (at the long-since demolished Mariendom), singer and opera composer was combined with that of an Anglophile diplomat, serving as secretary to the English Envoy Extraordinary to the Hanseatic city-states. He is sometimes referred to as the first music critic. This recording is of his complete Die Wolklingende Fingeraprache (translated on the recording as The Melodious Talking Fingers), first published in 1735.

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Varietas: Jean-Christophe Dijoux

Varietas
Jean-Christophe Dijoux, harpsichord
Geniun GEN 16420. 81’31

Works by Handel, Buxtehude, Böhm, JS and CPE Bach, Mattheson, and Telemann

Jean-Christophe Dijoux was the winner of the harpsichord category of the 2014 Leipzig International Bach Competition, and this CD stems from that success.  Born in Réunion, Dijoux studied in Paris, Freiburg and Basel, spent a year touring with the European Union Baroque Orchestra (EUBO), and won awards for continuo playing at the 2013 International Telemann Competition. Using two harpsichords (built by Matthias Kramer of Berlin after 1701 and 1754 originals) and four different temperaments, he explores music with a connection to Hamburg. Both instruments have 16’ stops, adding an impressive gravitas to the sound.

Improvisation is at the heart of music of this period, and very clearly also of Dijoux’s own playing style. That is evident from Continue reading