‘Women in Baroque Music’
St John’s, Smith Square, 16 May 2015
‘Canto dell dame’
María Cristina Kiehr soprano, Jean- Marc Aymes, harpsichord, organ & director.
On the cover of the festival programme book are the words “Joy / Passion / Religion / Love / Death / Adoration / Intensity. The Saturday afternoon concert of 17th century Italian music given by Concerto Soave included all of those aspects, sometimes in the same piece. Featuring five female composers, the music ranged from the very beginning of the Baroque up to the end of the 17th century. The earliest composer was Francesca Caccini (1587-1641), daughter of Giulio Caccini (represented here by Peter Philips’ harpsichord transcription of his Amarillo, mia Bella). Francesca Caccini made her debut aged 13 at the Medici Court, singing at the wedding of Henri IV of France to a Medici bride. After time in France she returned to become the leading female singer in Florence. Apart from one opera (the earliest known one by a woman) her only surviving music was published in 1618. The three pieces demonstrated the early recitativo style of Continue reading