Croce: Motetti & Sacrae Cantiones
Voces Suaves, Concerto Scirocco
Arcana A439. 52’19
Giovanni Croce (also known as Il Chiozzotto) was a choirboy in St Mark’s Venice under Zarlino, eventually becoming maestro di cappella around six years before his death in 1609, four years before Monteverdi took up the same post. He was also connected to Santa Maria Formosa, possible as a priest as well as a singer. Although renowned in his own day, he has been overshadowed by his most illustrious predecessors and successors. His music is not as grand as the Gabrielli’s, or a refined as Monteverdi, although the influence of the former is clear, notably in his polychoral writing. Continue reading
l’Arte del Madrigale
Ambronay Edition AMY308. 62’36
Music by Giaches de Wert, Agostini, Luzzaschi, Gastoldi, de Rore, Gesualdo, Monteverdi, Marenzio, Piccinini, Gonzaga.
Since 2013, Seconda Pratica has been involved with the Eemerging project (Emerging European Ensembles, part of the Creative Europe programme), a scheme that assists young early music ensembles. This recording is a part of their third year of support from Eemerging and the Ambronay European Baroque Academy. Like so many early music performers, Voces Suaves grew out of studies at that powerhouse of early music, the Schola Cantorum Basiliensis in Basle. It was founded in 2012 with 9 singers. The music features some of the perhaps lesser-known madrigal composers of the Renaissance, notably from the repertoire amongst the extraordinary artistic heritage the Este and Gonzaga courts in Ferrara and Mantua and in Florence. Continue reading