François Couperin: Lumière et Ombre

François Couperin: Lumière et Ombre
Les Talens Lyriques, Christophe Rousset
Barbican/Milton Court. 14 January 2018

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We are used to hearing French Baroque music in the grand style of the likes of Lully and Rameau, but the more delicate and sensitive music of François Couperin (referred to as le Grand to differentiate him from the rest of his extended musical family) is often overlooked. 2018 is the 350th anniversary of his birth, so is a good time to reassess his music. These two concerts in Milton Court, together with a panel discussion, explored some of his chamber and harpsichord music, concluding with his three Leçons de ténèbres. The two concerts were titled Lumière and Ombre, each containing solo harpsichord, vocal and instrumental music. Continue reading

Lully: Alceste

Jean-Baptiste Lully: Alceste
Les Talens Lyriques, Namur Chamber Choir, Christophe Rousset
Launch concert: Opéra Royal, Versailles, 10 December 2017
CD: Aparté AP164, 2CDs. 80’+70.59′

Lully: Alceste

Alceste ou Le Triomphe d’Alcide is an early example of Lully’s tragédie en musique in its fledgeling form of a Prologue followed by five Acts. It uses a libretto by Philippe Quinault, based on Euripides’ Alcestis. The first performance was given in January 1674 by the recently formed Académie Royale de Musique (later known as the Opéra de Paris) at the Théâtre du Palais-Royal, adjoining the then residence of the King, the Louvre Palace. The occasion was the Louis XIV’s victory against the Spanish held Franche-Comté during the complexities of the Franco-Dutch War. Lully had only recently taken control of the opera scene in Paris and Versailles, and this was the second of the many operas created during this monopoly. Even though Versailles was not, at the time, the seat of Louis XIV (and indeed, most of it was not yet built), the sumptuous Opéra Royal (built around 100 years later, in 1770) was an appropriate venue for Les Talens Lyriques to launch this CD, with a concert performance.

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Innsbrucker Festwochen der Alten Musik 2017

Innsbrucker Festwochen der Alten Musik
Innsbruck, 21-23 August 2017

The Innsbruck Festival of Early Music runs annually for about three weeks during August. It was founded in 1976 and since the start has focussed on Baroque opera, in recent years usually performing three each season. Between 1991 and 2009 René Jacobs was the director of the opera programme and, from 1997, the entire festival. Since 2010 the festival has been directed by Alessandro De Marchi, who instigated the International Singing Competition for Baroque Opera Pietro Antonio Cesti, named after Antonio Cesti, a 17th-century Italian singer and composer who served at the Innsbruck court of Archduke Ferdinand Charles of Austria.  The focus this year was on the music of Monteverdi, and included a staged performance of Il ritorno d’Ulisse in patria. Unfortunately, I was only able to attend for three days, so my review is necessarily limited in scope.  Continue reading

Les Talens Lyriques: Zefiro Torna

Zefiro Torna
Les Talens Lyriques
St John’s, Smith Square. 7 June 2017

This concert celebrated the 450th anniversary of Monteverdi’s birth, as well as the 25th anniversary of Les Talens Lyriques. Tenors Emiliano Gonzalez Toro and Anders J. Dahlin joined with director and keyboard player Christophe Rousset, cellist Emmanuel Jacques, and violinists Gilone Gaubert-Jacques and Josépha Jégard to explore Monteverdi’s more intimate, but nonetheless dramatic music. Each half concluded with opera extracts, but started with extracts from four of Monteverdi’s madrigal books. Throughout these madrigals, we had to work around the curious implications of two men both singing about the same love interest. Continue reading