Jean-Philippe Rameau: Les Indes Galantes Ensemble OrQuesta, Marcio da Silva The Cockpit. 6 February 2022
This was French Baroque opera, but not as Rameau might have known it. Les Indes Galantes was first performed in 1735 in the form of a heroïque opéra-ballet, with elaborate dance movements dominating the vocal music. It would have involved a large orchestra, a substantial troupe of dancers, up to 21 solo singers, and spectacular staging and special effects that included, amongst other things, a storm at sea and a volcanic eruption. This delightful version, performed by Ensemble OrQuesta in the square black-box Cockpit Theatre had an ‘orchestra’ of just eight, including the director, Marcio da Silva and nine singers. The only real props were some long sticks, used in dance sequences and to delineate stage areas.
Rameau: Danse des Sauvages from Les Indes Galantes Orchestra of the Age of Enlightenment & Acland Burghley School, Camden Video released 9 March 2021
The Orchestra of the Age of Enlightenment is now based at the Acland Burghley School in Camden. In this video, a group of talented year 10 Acland Burghley students perform an original dance they choreographed for their GCSE exam, with the OAE performing Rameau’s Danse des Sauvages from Les Indes Galantes. The collaboration is an important first step in demonstrating how working together can enrich an appreciation of the arts and reinforce the positives when joining forces creatively. More information here.
Rameau: Les Indes galantes
Purcell Choir, Orfeo Orchestra, György Vashegyi
Glossa GCD 924005. 2CDs 60’45+62’56
CD I Prologue Première Entrée: Les Incas du Pérou
CD II Deuxième Entrée: Le Turc généreux Troisième Entrée: Les Sauvages
The place to go to hear fine performances of French Baroque music appears to be Budapest, Hungary, where the pan-European named Purcell Choir and Orfeo Orchestra and their director György Vashegyi have their home base in Müpa Budapest. I first heard them live there in 2017, and have since praised a number of their CDs. The latest is this recording of Jean-Philippe Rameau’s Opéra-ballet: Les Indes galantes. It was first performed in Paris in 1735, but with only the Prologue and two of the ultimate four entrées. Thereafter it had a curious career, with several different variations performed in different years. The version used in this recording is from 1761, with Rameau’s various improvements since its première, but with the third entrée (Les fleurs) and a scene from the second entrée (Le Turc généreux) omitted. It was recorded in the days preceding a live concert performance in the Béla Bartók National Concert Hall of Müpa Budapest. Continue reading →