A Neapolitan Stabat Mater

A Neapolitan Stabat Mater
A new perspective from G B Pergolesi’s masterpiece
Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte
Chronos ICSM 012.


This is a recording of Pergolesi’s famed Stabat Mater, but not quite as you may know it. Composed in 1736 for the Neapolitan  Confraternita dei Cavalieri di San Luigi di Palazzo, the Stabat Mater was said to have been completed (along with a companion Salve Regina) moments before Pergolesi died of tuberculosis in a nearby monastery. Despite criticism of its operatic style, it’s fame quickly spread, with several composers, including Bach, making arrangements of it. This recording by Le Concert de l’Hostel Dieu is based on an unpublished score found in the library of the Académie du Concert in Lyon, France, now in the Lyon municipal library. Alongside some minor modifications in the instrumental parts, the key departures from the usual text are that the second solo voice is a baritone rather than an alto, presumably because of the lack of a castrati singer, and the setting of O quam tristis is for five voices. That, on its own, would be of sufficient interest, but this recording also inserts traditional Neapolitan music including polyphonic versions of the Stabat Mater and Miserere, some (very) secular songs (Donna Isabella, La Carpinese) and two tarantellas.  Continue reading

London Festival of Baroque Music 2018

London Festival of Baroque Music
Treasures of the Grand Siècle
11-19 May 2018

The London Festival of Baroque Music (LFBM) is now in its 35th year. Previously known as the Lufthansa Festival of Baroque Music, it is London’s leading early music festival, not least for the number of non-UK performers that it has traditionally featured. Last year’s change in the management means that the executive director of the festival is now Richard Heason, director of St John’s, Smith Square, the festival’s principal London home. For the 2018 festival, he is joined by a guest artistic director, Sébastien Daucé. They are bringing to London a sizeable chunk of French music, musicians and culture under the title of Treasures of the Grand Siècle. Described as an “immersive exploration” of the music of the French Baroque from the time of the Sun King, Louis XIV and the Palace of Versailles, the festival features some 22 events over 9 days. It is a comparatively rare opportunity in the UK to hear French Baroque music performed by French musicians including, for the latter part of the festival, Sébastien Daucé’s own group, Ensemble Correspondances. Along with several other musicians performing, I first heard Ensemble Correspondances and Sébastien Daucé when I as reviewing at last years Ambronay festival, reviewed here.

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