Handel: L’Allegro, il Penseroso ed il Moderato, 1740

Handel: L’Allegro, il Penseroso ed il Moderato 1740
Gabrieli Consort & Players, Paul McCreesh
Signum SIGCD392. 2 CDs.  77’12+64’26=141’38.

 L’Allegro, il Penseroso ed il Moderato, Concerto Grosso in G (Op 6/1), Concerto Grosso in E Minor (Op 6/3), Organ Concerto in B-Flat (O  7/1)

Handel’s L’Allegro, il Penseroso ed il Moderato is one of his most attractive and approachable, but also his most complex and confusing, works. It is not clear what it is. It is not an opera, an oratorio, ode or cantata, but was loosely described at the time as ‘an entertainment’. There is no plot, no human characters or underlying narrative. The title is in Italian, the text in English. The three ‘characters’ of the title represent the contrasting temperaments of mirth (Allegro) and melancholy (Penseroso), joined, in the third part, by Moderato, the voice of reason, restraint and, it seems, “chaste love”. Two of the ‘roles’ are each sung by three different voices (Allegro by tenor, boy treble and bass; Moderato by baritone, soprano and tenor), with Allegro on one occasion sung as a duet. Continue reading