Andrew Benson-Wilson plays Reincken

Mayfair Organ Concerts
Andrew Benson-Wilson plays 
Johann Adam Reincken (1643-1722)
St George’s, Hanover Square, London W1S 1FX
30 April 2019 @ 1:10pm 

Toccata in G (Andreas Bach Book)
Toccata in A (Anon?)
Chorale Fantasia: An Wasserflüssen Babylon

Johann Adam Reincken was one of the most important and influential 17th-century North German organist-composers. He forms a unique link between the Sweelinck influenced organists of the earlier part of the century and JS Bach. Little is known about his life, and very few of his organ compositions survive. He was born to North German parents in Deventer in The Netherlands around 1643. An earlier supposed birthdate of 1623 is now accepted as incorrect. He moved to Hamburg in 1654, aged just 11, to study with the famed organist of the Katharinenkirche, Heinrich Scheidemann, a pupil of Sweelinck. After a brief return to Deventer, he came back to Hamburg in 1659 as Scheidemann’s assistant, replacing him as organist in 1663 on Scheidemann’s death. As was the custom of the time, he married one of Scheidemann’s daughters in 1665. He remained there for 60 years until his death in 1722. As well as his church duties, he co-founded the Hamburg Opera and was involved in the city’s musical life. He is known from two pictures dating from around 1674; the portrait painting and the now well-known ‘Musical Company’ painting by Johannes Voorhout.

Reincken. Kniller, c1674.jpg

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Katharinenkirche Hamburg

Katharinenkirche Hamburg
Sietze de Vries, organ
Fugue State Records/JSB Records FSRCD007. 79’37

Jacob Praetorius, Reincken, Bach and improvisation

The recent reconstruction of the famous Hamburg Katherininkirche organ was major landmark in the organ world. Its nickname of the ‘Bach organ’ (or ‘ an organ for Bach’) is misleading, and relates to the visit of Bach in 1720. But it could equally, and with far more accuracy, be described as the ‘Scheidemann’ or ‘Reincken’ organ (Katherininkirche organists for nearly 100 years from 1629-1722), both of whom had far more influence on its development, and whose music it better represents. Its roots go back to about 1400, and it had reached an advanced state by 1605 when Continue reading