Schumann Street

 Schumann Street
Spitalfields Music Festival 2017
Huguenot houses in Spitalfields
9 December 2017

The 2018 incarnation of the Spitalfields Winter Festival concluded with Schumann Street, an ambitious weekend ‘installation’ based in eight of the historic former Huguenot houses in the streets next to the traditional home of the festival, Christ Church, Spitalfields, Hawksmoor’s architectural masterpiece. The festival was founded (by Richard Hickox) in 1977 specifically to help to save Christ Church from demolition. For many years, concertgoers stepped over the rough brick floors to hear a glittering array of top-flight early music performers and established contemporary composers, one example of the latter being the 1991 performance of John Tavener’s The Protecting Veil. A timeline of the Spitalfields Festival and its associated activities, most notably in community and education projects, can be seen here. Since then, Christ Church has completed a major restoration but, unfortunately, no longer hosts the festival that was instrumental, in so many ways, in its continuing existence and restoration.

For the Schumann Street installation,  which had four runs over the weekend, each of eight Huguenot houses accommodated two performances, all sixteen based on Schumann’s 1840 Dichterliebe (A Poet’s Love). Although usually performed with a male voice and piano, it was dedicated to a soprano. For this event, the 16 performers (individuals or groups) were given free rein to interpret the verses in their own way and style. The audience met in the crypt of Christ Church, where we were divided into eight groups and were eventually, after quite a delay, led to one of the houses. From then on, we were all left to our own devices, with a map to show where the houses were, but no indication of who would be performing where or when, or any idea of the length of the 16 performances.  Continue reading

House of Monteverdi

House of Monteverdi
Spitalfields Music Festival 2017
St Leonard’s Church, Shoreditch
2 December 2017

Things have changed at Spitalfields Music, as the opening night of their annual Winter Festival demonstrated. They have traditionally concentrated on early and contemporary music and, to a certain extent, continue that focus, although the target audience now seems very different from previous years. For the first of their new-style Winter festivals, they have bought in an Artistic Curator, André de Ridder, a conductor who crosses musical borders, not least in his involvement with electronic and pop music. His concept was for a festival made up of a series of ‘mini-festivals’, combining different genres and musicians. The focus is on much younger composers and performers that hitherto. The opening mini-festival, House of Monteverdi, was a 4½ hour marathon featuring four featured young composers, together with the four members of the Hermes Experiment, who jointly composed one of their pieces. The four world premieres and two UK premieres were contrasted and alternated with (and were sometimes influenced by), extracts from Monteverdi’s Eighth Book of Madrigals – the Songs of Love and War.  Continue reading

Nonclassical Club Night

Nonclassical Club NIght
Freya Waley-Cohen, The Hermes Experiment, Liam Byrne
The Victoria, Dalston. 12 July 2017

Nonclassical is an enterprising musical set up combining a record label with monthly club nights around London, founded in 2004 by composer Gabriel Prokofiev. The club nights bring classical music, both newly composed and more traditional, to the rock club scene, with events usually held in pub entertainment rooms. If the aim was to attract the sort of audience that wouldn’t be seen dead in places like the Wigmore Hall, it has certainly succeeded. The audience stands, drinks in hand, around a stage packed with loudspeakers. Between the acts, DJs continue the theme of inventive new music. The associated record label includes extracts from the live gigs as well as remixes of new compositions. Continue reading