Monteverdi: Vespro della Beata Vergine
Dunedin Consort, His Majestys Sagbutts & Cornetts, John Butt
Linn Records. CKD 569. 2CDs 94′
During this 450th anniversary year of Monteverdi’s birth, there have been a plethora of performances and recordings of his 1610 Vespro della Beata Vergine. It’s not an easy work to address, not least because of the many complex musicological and performance issues that surround it.
The first point of call for anybody remotely interested in such things is to read the programme notes. The second is to glance at the track list. If it has more than 12 separate items, then it is probably placed in a quasi-liturgical, and almost certainly spurious, setting, with additional plainchant and instrumental pieces intended to represent how it might if it were performed liturgical. But it is most unlikely ever to have been thus performed. Scholarship changes almost daily, but it seems likely that this is Monteverdi showing what he is capable of, exploring differing style of music on the cusp of the transition from the Renaissance to the Baroque (the prima pratica to the seconda praticca), and possibly (rather like Bach’s B Minor Mass) as a calling card; in Monteverdi’s case, for potential posts in Venice and Rome. Continue reading