Pyrotechnia

Pyrotechnia
: Fire & Fury from 18th-century Italy
Bojan Čičić and The Illyria Consort
Delphian DCD34249. 72’52

Vivaldi: Violin Concerto in D, RV205 “fatto per Maestro Pisendel
Vivaldi: Violin Concerto in D, RV213a “per Signora Anna Maria
Tartini: Violin Concerto in E, D 48 “Rondinella vaga e bella
Locatelli: Violin Concerto in D, Op3/12 “Il laberinto armonico

‘Fireworks’ is a term often used to describe virtuosic playing or advanced musical textures but in this case, the connection with the word is real. This CD from violinist Bojan Čičić and his Illyria Consort gets its title from the book Pyrotechnia, the earliest guide to recreational fireworks. It was published in 1635 by the gunner, John Babington. The four violin concertos chosen to display Bojan Čičić’s own virtuosity all have movements ending in a capriccio, a virtuosic display cadenza that became the norm in the later Classical and Romantic era concertos. Several of Vivaldi’s own improvised cadenzas have survived through copies made by his own pupils.

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An Adriatic Voyage


An Adriatic Voyage
The Illyria Consort and The Marian Consort

Bojan Čičić, Rory McCleery, directors
London Festival of Baroque Music
St John’s Smith Square. 15 May 2022

CD: Adriatic Voyage
Seventeenth-century music from Venice to Dalmatia
Delphian DCD 34260. 58’26

Music by Francesco Sponga (aka Usper), Gabriel Spona, Gabrielo Puliti,
Vicenz Jelić, Julije Skovelić, Ivan Lukačić, and Thomasso Cecchini.

It is not often that I review a concert where only one of the composers seemed familiar, and that one confused me with a different version of his name. This excellent concert (and the extended CD version) was inspired by the record of a 1575 journey by the Venetian diplomat and naval commander Giacomo Soranzo as he set sail from Venice to Constantinople. As they sailed down the Istrian coast, (present-day Croatia) they called in at various port cities, most of which were within the territory of the Venetians and subject to the continual movement of trade and people bringing different influences to the varied local culture. The concert is by composers who lived on the Dalmatian coast in the years after Soranzo’s expedition.

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Carbonelli: Sonate da Camera 7-12

Giovanni Stefano Carbonelli: Sonate da Camera 7-12
Bojan Čičić & The Illyria Consort
Delphian DCD34214. 78’18

Following their 2017 debut recording of the first six of Giovanni Stefano Carbonelli’s Sonate de Camera (my enthusiastic review is here), Bojan Čičić & The Illyria Consort return to complete the set with the final six concertos. Four of the six are premier recordings. Sadly that completes the only known compositions surviving from this fascinating composer, Italian born, but settling and making a success of a career in England. My earlier review sets out the background to Carbonelli and these pieces, so I will not repeat them here. Continue reading

Carbonelli: Sonate da Camera 1-6

Giovanni Stefano Carbonelli: Sonate da Camera 1-6
Bojan Čičić & The Illyria Consort
Delphian DCD34194. 63’46

For a British musician, now is a very good time to be reminded of the extraordinary contribution that immigrant musicians have made to our musical history, from at least the early 1500s. This CD reflects that in at least two ways. Giovanni Stefano Carbonelli was born in Liverno in 1694. Although supposition that he studied with Corelli seems ill-founded, he certainly absorbed and developed Corelli’s style. He moved to England in, or just before 1719, possibly at the invitation of John Manners (then Marquess of Granby, and soon to become the 3rd Duke of Rutland), who was to be his only known patron in England. Almost immediately on his arrival Carbonelli became leader of the Drury Lane Theatre orchestra, a post which also involved performing concertos and sonatas. In 1735, like many of his fellow Italian immigrant musicians, he anglicised his name, in his case to John Stephen Carbonell. Continue reading