Classical Opera @ 20

Classical Opera 20th Birthday Concert
Orchestra and Choir of The Mozartists, Ian Page
The Barbican. 9 October 2017

Classical Opera was founded in 1997 and has carved out an important place in the musical world for its exploration of music of the classical era, in particular, Mozart. He is the inspiration for their ambitious Mozart 250 project, a chronological exploration of Mozart’s life, works and influences that each year will explore the music of Mozart and his contemporaries exactly 250 years previously. Now joined by a companion branding as The Mozartists, their name for increasing concert, rather than opera work, they celebrated their 20th birthday with a spectacular concert in London’s Barbican. The opening sequence of pieces, interspersed with reading, focussed on themes of “birth and rebirth, compassion and forgiveness, human inspiration and . . . what Beethoven and Schiller called brotherhood”.  Continue reading

Glyndebourne’s Saul

Glyndebourne’s Saul
Glyndebourne Festival Opera.  6 August 2015

I don’t normally read other reviews until I have seen for myself, but I was aware that Glyndebourne’s new production of Handel’s Saul had gone down well. And well it should. It is one of the most successful productions that I have seen. Directed by Barrie Kosky, with designs by Katrin Lea Tag and lighting by Joachim Klein, the sumptuous settings and costumes would inevitably tick most opera-goers’ boxes. Of course, Saul isn’t an opera, but one of his finest oratorios, written in 1739 and the first of his collaborations with Charles Jennens. There is now a long tradition of staging oratorios, not least at Glyndebourne, dating back to 1996 and Peter Sellars’ Theodora. And with its dramatic story of family intrigue, love and hate, a youthful hero and a king loosing his mind, it certainly has all the dramatic possibilities of opera seria.

Saul, Glyndebourne Festival 2015. Christopher Purves (Saul). Photographer Bill Cooper. Continue reading