Baroquestock. King Arthur

Baroquestock Festival
Purcell: King Arthur
Istante Collective, Matthew Brown, Natalie Coury
Heath Street Baptist Church, Hampstead. 10 May 2016

Under the title of “Possible Planets, Musical Spheres”, the latest annual Baroquestock Festival has been bringing the crowds into Hampstead’s homely Heath Street Baptist Church, notably for two performances of Purcell’s King Arthur. The original was first performed in May 1691 in the form of the very English Restoration genre of semi-opera, combining a spoken play with a series of musical masques at intervals during the play, reflecting aspects of the play, but usually without any of the principal roles of the play. Although it is usually performed just as a musical suite, this innovative production included enough elements of the spoken text and action to get a feel of a 17th century performance, aided by some impressive acting from the five singers, and real acting and narration from Christopher Hunter and dance from Tamra Hinson.

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Baroquestock Festival: Lully & Blow

Lully & Blow – La naissance de Vènus & Venus and Adonis
Istante Collective, The Queenes Chappell
Baroquestock Festival 2024 @ Heath Street Baptist Church. 3 May 2024


Jean-Baptiste Lully – Le Ballet royal de la naissance de Vénus (LWV 27)
John Blow – Venus and Adonis


Under the title of Illusions, the ever-enterprising Baroquestock presented their Baroquestock Festival 2024 at their accommodating home base of Heath Street Baptist Church in Hampstead. The festival included 8 events spread over two weeks, one of the highlights being two semi-staged performances of Lully’s and Blow’s takes on the story of Venus. A fascinating pairing that covered the birth of Venus and Blow’s French-inspired version of the later story of Venus and Adonis.

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