Echoes of an Old Hall
Music from the Old Hall Manuscript
Linn CKD644. 76’03
This magnificent recording from Gothic Voices takes a refreshing look at the much-recorded repertoire from the famous Old Hall Manuscript, the most substantial collection of English sacred music of the medieval period. It was compiled over several years leading up to c1420. The manuscript contains a number of examples of the influence of French composers on English music of the time. One example is the first piece on this recording, the wonderfully bouncy Arae post libamina / Nunc surgunt by Mayshuet de Joan, a French musician who spent some time in England in the mid 14th century.
Laus Polyphoniae 2018
1618 / BEFORE
Antwerp, Belgium. 16-20 August.
This year’s Laus Polyphoniae festival (part of the Festival van Vlaanderen / Flanders Festival) celebrated two anniversaries. It is 25 years since the festival first started, and 400 years since the opening of the former St. Augustine’s Church (in 1618), now the home of AMUZ (Augustinus Muziekcentrum), the hosts of Laus Polyphoniae. The festival lasted from 16 – 26 August, and I was invited for the first four days, from the opening concert on Thursday 16 August to the lunchtime concert on Monday 20 August. Taking the date of 1618 as the hinge, the Laus Polyponiae festival ‘1618 / Before’, was the prelude to a further series of concerts under the title ‘1618 / Beyond’, the English names being original, not translations.
Focussing on music from the Middle Ages and Renaissance, the programme covered repertoire from the year 800 up to the early 17th century, when the early Baroque style began to emerge from the tradition of Renaissance polyphony. It featured musicians from Flanders and beyond, with a wide-ranging programme of concerts and events, the International Young Artist’s Presentation, and various associated events included a study day exploring the recently discovered Leuven Chansonnier and other educational activities. Unless otherwise noted, all the concerts took place in AMUZ.
Mary Star of the Sea
Linn CKD541. 74’00
Joanne Metcalf: Il nome del bel fior;
Andrew Smith: Stond wel, Moder, under rode; and pieces by Godric of Finchale, Leonel Power, Dunstaple, Richard Smert, and Anonymous.
This beautiful recording contrasts music by contemporary composers Joanne Metcalf and Andrew Smith with 12th to 15th century settings of Marian texts, many of them anonymous.
The first part explores the mythical and spiritual qualities of Mary, with three extracts from Joanne Metcalf’s Il nome del bel fior (a ten-part setting of extracts from Dante’s Paradiso) together with her Music for the star of the sea. The opening track is particularly beautiful, with Catherine King singing Joanne Metcalf’s haunting meditation on the single word ‘Maria’. The earlier pieces reflect the different musical styles that were developing during the 13th and 14th centuries.
The second part focuses on the more human aspects of Mary, Continue reading