London Festival of Baroque Music – Day 3

‘Women in Baroque Music’
St John’s, Smith Square, 17  May 2015

The third day of the festival started with ‘Sing Baroque’, with Robert Howarth, one of the Robert HowarthOrchestra of the Age of Enlightenment’s regular conductors, leading a Sunday morning workshop on the choral sections of Vivaldi’s Gloria – “for all aspiring Baroque singers – no experience necessary!”. This is certainly not the sort of event that should be reviewed, but I will comment on the experience of watching a conductor at work from the other side of the podium. Conducting styles vary by personality (and over historic time), but there is a generation of younger conductors who focus on using collaboration, cooperation and genuine good humour (rather than dictatorship or bullying) as the key to communicating their ideas. It was clear that Robert Howarth is one of those. As well as giving the gathered singers an excellent insight into the music and aspects of performing it, Robert Howarth also made it an extremely entertaining occasion. Music’s gain is stand-up comedy’s loss.

The Sunday afternoon included a guided tour of The Wallace Collection exploring ‘Music, Dance and Gallentry in 18th-century French Art’, followed by a concert focusing on the harpsichord music of Elizabeth Jacquet de La Guerre (1665-1729) given by Béatrice Martin. Continue reading