Giovanni Stefano Carbonelli: Sonate da Camera 1-6
Bojan Čičić & The Illyria Consort
Delphian DCD34194. 63’46
For a British musician, now is a very good time to be reminded of the extraordinary contribution that immigrant musicians have made to our musical history, from at least the early 1500s. This CD reflects that in at least two ways. Giovanni Stefano Carbonelli was born in Liverno in 1694. Although supposition that he studied with Corelli seems ill-founded, he certainly absorbed and developed Corelli’s style. He moved to England in, or just before 1719, possibly at the invitation of John Manners (then Marquess of Granby, and soon to become the 3rd Duke of Rutland), who was to be his only known patron in England. Almost immediately on his arrival Carbonelli became leader of the Drury Lane Theatre orchestra, a post which also involved performing concertos and sonatas. In 1735, like many of his fellow Italian immigrant musicians, he anglicised his name, in his case to John Stephen Carbonell. Continue reading
Monteverdi: The Other Vespers
Choir and Orchestra of the Age of the Enlightenment, Robert Howarth
Kings Place, 15 January 2016
Music by Monteverdi, Grandi, and Cavalli
The 2016 Kings Place ‘Baroque Unwrapped’ season will include some 45 concerts in a variety of formats. Opening the season in grand style were the Choir and Orchestra of the Age of the Enlightenment in a spectacular programme of music from the very start of the Baroque era by Monteverdi, Grandi and Cavalli. “This is not the 1610 Vespers” warned conductor Robert Howarth at the start. Although retaining the structure of a Vespers service, the music was drawn from Monteverdi’s 1640/41 Selva morale e spirituale and the posthumous Messa e salmi of 1650.
The Vespers opened with the traditional Deus and Response, in the jubilant fanfare-like version written by Alessandro Grandi. Continue reading
The Famous Weiss David Miller, baroque lutes 68’21
Sonata No 5 in D minor, Prelude & Fantasie in C minor, Sonata No 30 in G minor, Prelude in D major, Campanella in D major, Passagaille in D major, Giga in D major.
The thoughtful and reflective mood of the opening D minor Prelude sets the scene for this enthralling CD of lute music by Silvius Leopold Weiss. I was introduced to the music of Weiss by David Miller in a Dartington concert in the mid 90s. An almost exact contemporary of JS Bach and Handel, Weiss spent time in Rome (alongside Handel and Scarlatti) before settling as lutenist to the Dresden Court. His visit to Berlin produced the ‘Famous Weiss’ comment from the sister of the future Frederick the Great.
The two Sonatas (in practice, multi-movement Suites) from the Dresden manuscripts are nicely contrasted, the simpler D minor suite forming a foil to the more substantial, elaborate and musically advanced G minor set. Of the six other pieces from a British Library manuscript, the Prelude in C minor, with its distinctive octave opening, shows Weiss’s imaginative use of harmonic modulation, a factor specifically mentioned in relation to a competition with Bach in Dresden. As the opening Prelude demonstrates, David Miller plays with a particular sensitivity to musical ebb and flow, as well as producing a beautifully rich and refined tone.
There is an informative video made during the recording process at http://www.timespanrecordings.co.uk/david-miller—baroque-lute.html.