Haydn: The Creation
London Philharmonic Orchestra & Choir, Sir Roger Norrington
Royal Festival Hall. 4 February 2017
This continuation of the Southbank ‘Belief and Beyond Belief’ series of concerts featured Joseph Haydn’s 1798 Creation. As with two of the pieces in the previous London Philharmonic Orchestra concert (reviewed here), it focussed on the beginning of the world, in this case as depicted in the late Bronze Age writings of the Old Testament. Haydn once said that when he thought of God he could write only cheerful music, and this is evident in his often seemingly irreverent take on God’s creation. Sir Roger Norrington has a similar twinkle in his eye, and was an ideal conductor for Haydn’s often (but perhaps not always intentionally) amusing moments.
As well as his pioneering work in the interpretation of music of earlier times, Norrington is also an enthusiastic supporter of audiences. He has a winning way, which he used on this occasion for another of his themes – applause. Continue reading
Haydn: The Creation
Handel + Haydn Society, Harry Christophers
CORO: COR16135. 51’39+46’36
Sarah Tynan, soprano; Jeremy Ovenden, tenor; Matthew Brook, bass-baritone
Boston’s Handel + Haydn Society gave the first US performance of Haydn’s The Creation in 1819, just three years after their foundation, having performed Part One in their first year. Their name (at the time, a representation of their interest in ‘old’ and ‘new’ music), has a resonance with The Creation. It was Haydn’s response to hearing Handel’s Isreal in Egypt and Messiah in the 1791 Westminster Abbey Handel Festival, with a large choir and orchestra of more than 100 people. Two hundred years after their foundation, the Handel + Haydn Society’s bicentennial season ended with two performances in Boston’s Symphony Hall, Boston on 1 and 3 May 2015. This double CD is a live recording of those performances. I didn’t detect any audience noise or other potential live recording mishaps, but certainly detected the thrill and exhilaration of live music making. It bubbles over with the energy and vitality of a live performance, rather than a carefully crafted studio recording. Continue reading
City of London Festival. London Symphony Orchestra & Chorus
St Paul’s Cathedral. 24 June 2015
Haydn was a popular composer in London well before his first visit, in 1790. During that visit, according to the minimal note in the City of London Festival programme, he conducted a “hatful” of newly composed symphonies. Who writes this stuff? As well as his hatful of symphonies, he also got to know St Paul’s Cathedral, and heard one of the large-scale performances of Handel oratorios, then all the rage, in Westminster Abbey. But I don’t think Haydn would have seen St Paul’s as an appropriate venue for his 1798 Creation. It was first performed in a theatre in Vienna, with its London première in the similar acoustic of the Covent Garden Theatre. In contrast with these theatre acoustics, he enormous volume of St Paul’s created musical havoc with the sound, even from my privileged seat well towards the front. What people at the back might have heard I can only imagine.
Based on the creation myth from Genesis, Milton’s Continue reading