Andrew Parrott. Composers’ Intentions? Lost Traditions of Musical Performance
The Boydell Press, 2015
Paperback. 421pp, ISBN 9781783270323
Andrew Parrott is one of the leading members of a particularly influential generation of musician/scholars who founded performing groups in the 1970s: in his case, the Taverner Consort, Choir and Players, founded in 1973 . They changed the way that we think about, perform, and listen to, ‘early’ music. Unlike many conductors who cut their teeth in the world of period performance, Andrew Parrott has retained his strong research interests, notably around the music of Bach and Monteverdi. Perhaps best known for his book, The Essential Bach Choir (published in 2000), an expansion of the theories of Joshua Rifkin that Bach’s choirs were essentially performing as one to a part, Parrott remains an essential component of the early music world. Hence the importance of his latest book: Composers’ Intentions? Lost Traditions of Musical Performance.
This important collection of previously published essays, combined with Andrew’s further reflections on aspects of period performance, Continue reading