Carbonelli: Sonate da Camera 7-12

Giovanni Stefano Carbonelli: Sonate da Camera 7-12
Bojan Čičić & The Illyria Consort
Delphian DCD34214. 78’18

Following their 2017 debut recording of the first six of Giovanni Stefano Carbonelli’s Sonate de Camera (my enthusiastic review is here), Bojan Čičić & The Illyria Consort return to complete the set with the final six concertos. Four of the six are premier recordings. Sadly that completes the only known compositions surviving from this fascinating composer, Italian born, but settling and making a success of a career in England. My earlier review sets out the background to Carbonelli and these pieces, so I will not repeat them here. Continue reading

Carbonelli: Sonate da Camera 1-6

Giovanni Stefano Carbonelli: Sonate da Camera 1-6
Bojan Čičić & The Illyria Consort
Delphian DCD34194. 63’46

For a British musician, now is a very good time to be reminded of the extraordinary contribution that immigrant musicians have made to our musical history, from at least the early 1500s. This CD reflects that in at least two ways. Giovanni Stefano Carbonelli was born in Liverno in 1694. Although supposition that he studied with Corelli seems ill-founded, he certainly absorbed and developed Corelli’s style. He moved to England in, or just before 1719, possibly at the invitation of John Manners (then Marquess of Granby, and soon to become the 3rd Duke of Rutland), who was to be his only known patron in England. Almost immediately on his arrival Carbonelli became leader of the Drury Lane Theatre orchestra, a post which also involved performing concertos and sonatas. In 1735, like many of his fellow Italian immigrant musicians, he anglicised his name, in his case to John Stephen Carbonell. Continue reading