Dies Iræ, De Profundis, Te Deum
Choeur de Chambre de Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García Alarcón
Outhere Music: Alpha 444. 82’50
The complex rituals of the ceremonial music of the French Court of Louis XIV, with its divided Music re Roi, are perhaps summed up in these three Lully pieces – the grand motets Dies Iræ, De Profundis and Te Drum. Although Lully never held any formal posts within the Chapelle du Roi, court tradition dictated that for royal funerals, although the Mass itself was directed by the Sous-maîtres de la Chapelle, for the Prose and Aspersion of the Coffin, the music (Dies Iræ & De Profundis) was the responsibility of the Superintendant de la Musique de la Chambre – Lully. He took this opportunity to develop the genre of the grand ceremonial motet using the combined forces of the two choirs and a rich orchestration.
Tage Alter Musik Regensburg 2019
Bavaria, Germany. 7-10 June 2019
The Regensburg Tage Alter Musik festival takes place annually from Friday to Monday over the Pentecost/Whitsun weekend, whose dates move linked to Easter. The 2019 festival, the 35th, took place over the weekend of 7-10 June, rather later than in previous years and the latest Pentecost weekend until 2030. With 15 concerts over these four days, it is a total immersion of early music performed in some spectacular buildings in Regensburg city centre. The historic city of Regensburg has its roots in the Celtic settlement of Radasbona and the Roman Castra Regina fort, remnants of which can still be seen. It was the early Medieval capital of Bavaria. The 12th-century bridge over the Danube increased its importance as a Free Imperial City within the Holy Roman Empire. It adopted the Reformation in 1542 but retained its Catholic Cathedral and Abbeys. From 1663 to 1806, it was the permanent seat of the Imperial Diet of the Holy Roman Empire, the so-called ‘Perpetual Diet’. The whole of the historic city centre is now a World Heritage Site. Continue reading
Festival d’Ambronay/Festival eeemerging
Centre culterel de recontre d’Ambronay
28-30 September 2018
The 39th Festival d’Ambronay saw the conclusion of an annual triptych devoted to the theme of Vibrations, in this case with the subtext of ‘Cosmos’. Spread over four weekends, it was described as “An evocation in music of a cosmos alternately spiritual or material, intimate or grandiose, in-depth or elevation … An evocation of the stars, elements and spirituality, a look at the harmony of man and the universe“. As well as hosting the annual festival, the Centre culterel de recontre d’Ambronay is also the base for the eeemerging project (Emerging European Ensembles), a European Union-wide cooperation project dedicated to the selection, training and promotion of young early music ensembles. It brings together partners from the UK, Latvia, Romania, Slovenia, Italy and Germany in a four-year cooperation project. Alongside festival events, the third weekend of the four-weekend festival was devoted to the ensembles selected for the 2018 eeemerging round, with six young groups of musicians performing, alongside one of the previous eeemerging ensembles and one of the most established groups in recent history. The comparison between the young musicians and some of the more established performers in the festival was of particular interest, leaving me with the view that the latter, with few exceptions, have a lot to learn from the former.