Mondonville: Grands Motets

Mondonville: Grands Motets
Purcell Choir, Orfeo Orchestra, György Vashegyi
Glossa GCD923508. 43’20+52’47

De profundis (1748), Magnus Dominus (1734), Nisi Dominus (1743), Cantate Domino (1742)

Mondonville.jpgJean-Joseph Cassanéa de Mondonville (1711-1772) was born in Narbonne in the south-west of France. He moved to Paris in 1733 and almost immediately came under the patronage of Madame de Pompadour, joining the Concert Spirituel and the Chapelle Royale as a violinist. Although continuing is career as a violinist, he soon rose through the musical ranks (becoming director of the Concert Spirituel and Maître de musique de la Chapelle) and also became famed as a composer of opera and sacred music. Although never quite reaching the musical heights of his predecessors Lully and Rameau, his compositions reflect the changing mood in the middle third of 18th century France. Continue reading

Müpa Budapest: Early Music Festival

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Müpa Budapest
Early Music Festival
27 February – 4 March 2017


 

Müpa Budapest is the sensibly shortened title of Művészetek Palotája, the national cultural centre situated on the Danube just south of the centre of the Pest side of Budapest. The building opened in 2005 (as the Palace of the Arts), and was designed by the young Hungarian architects Zoboki, Demeter and Partners. It includes the Béla Bartók National Concert Hall (Bartók Béla Nemzeti Hangversenyterem), the Festival Theatre (Fesztivál Színház), also suitable for smaller scale concerts, several other performing spaces and an outpost of the Ludwig WP_20170227_18_18_52_Pro.jpgMuseum, best known for its Vienna contemporary art gallery. The centre hosts an enormous range of activities throughout the year and, for the past three years, has been running a short early music festival, this year consisting of six events. I was invited to review five of them, between 27 February to 4 March, featuring performers based in Italy, Austria, Germany, Switzerland and Budapest.


Hasse: Piramo e Tisbe
Europa Galante, Fabio Biondi
Müpa: Festival Theatre , 27 February 2017

The first event tWP_20170227_19_36_18_Pro (2).jpgook place in the Festival Theatre (Fesztivál Színház). Designed for speech and drama, it also proved very effective as a small scale music performance space, seating around 460. A substantial acoustic screen (pictured) is used to reduce the size of the large theatrical stage, focussing the sound of musicians and helping to project the sound to the audience. The acoustics are clear, with sufficient reverberation to create an effective music listening environment. Continue reading