Mozart: The Magic Flute
English National Opera
The Coliseum. 19 February 2016
What a different three years makes! I was rather dismissive of the first run of Simon McBurney’s 2013 new production of The Magic Flute, together with his theatre company Complicite in partnership with Netherlands Opera and Aix-en-Provence. This was the first new ENO production of The Magic Flute for around 25 years, and replaced Nicholas Hytner’s much-loved, if rather traditional take. My review of the opening of McBurney’s version included “In contrast to the previous production, this Magic Flute is dark, mysterious and more than a little weird. A flood of ideas drenched the stage, aided by a commentator sitting in a box in the corner, chalking up comments onto a large video screen. But there seems, at least to me, on first sight, little coherence to link it all together. Masonic references are played down, but the element of cult is still stressed through colour-coded camps in conflict . . . It may well be that, in 25 years time, I will miss this production. But, in the meantime, it will certainly take me some time to get used to it”.
Well, having now seen it for a second time, with revival director Josie Daxter (also from Complicite) and a new conductor, ENO’s new music director Mark Wigglesworth, and with some tweaking to the staging, I am happy to admit that I was bowled over by it. A radical take on the well-known, if little-understood plot, the Continue reading