London Bach Society’s Bachfest 2018
Steinitz Bach Players, Rodolfo Richter
St John’s, Smith Square, 6 November 2918
For the fourth and final day of their 2018 Bachfest, the London Bach Society (LBS) celebrated the 50th anniversary of their own orchestra, the Steinitz Bach Players, with this St John’s, Smith Square concert. The orchestra was founded, along with the London Bach Society, by Paul Steinitz (1909-88), one of the pioneers of the British Bach revival. Made up of leading freelance period instrumentalists, the orchestra performs under different directors during the annual Bachfest. On this occasion, they performed without a conductor, but with direction from the violin by Rodolfo Richter, a practice that I am sure Bach himself would have approved of. Continue reading →
European Union Baroque Orchestra
Maria Keohane, Lars Ulrik Martensen
London Festival of Baroque Music
St John’s, Smith Square. 19 May 2017
One of the key events of the London Festival of Baroque Music was final concert of the current incarnation of the European Union Baroque Orchestra, and orchestra I have been reviewing enthusiastically for many years. After extensive annual training auditions attracting around 100 applicants, aided by leading period performers, around 30 instrumentalists are selected each year to tour a series of concerts around Europe. But this concert was also, very sadly, the very last EUBO concert in its present state as a UK-managed organisation. Founded 32 years ago as a UK initiative (during the 1985 European Music Year), and managed ever since from its base near Oxford, the vote by a small percentage of the UK population to drag the UK out of the European Union means that it is no longer viable to run an EU venture from the UK. In its 32 years, EUBO has encouraged and nurtured around 1000 young musicians, giving some of the finest period instrumentalists around an early grounding in performance practice at the start of their careers. For the future, after a hiatus of a year to allow for the transfer, when there will be no auditions or orchestra , EUBO will restart from a new base, and with new management, based in the music centre AMUZ in Antwerp. Continue reading →
European Union Baroque Orchestra (EUBO) & Singers of Barock Vokal
Alfredo Bernardini, director & oboe
St John’s, Smith Sq. 27 January 2017
Orchestral Suite No. 4 in D BWV 1069a (original version);
Cantata: Liebster Immanuel, Herzog der Frommen BWV 123;
Cantata: Süßer Trost, mein Jesus kömmt BWV 151;
Cantata: Sei Lob und Ehr dem höchsten Gut BWV 117.
Part of the 2015 expansion of the European Union Baroque Orchestra’s activities has been the EUBO Mobile Baroque Academy (EMBA), a cooperative project aimed at finding new and creative ways of addressing the unequal provision of baroque music education and performance across the European Union. The touring orchestra (EUBO) still forms the core activity of the EMBA, reforming each year with a new intake of talented young period instrumentalists chosen from educational auditions held each spring. For more than 30 years EUBO has provided specialist training and experience, and has encouraged and supported many of the top period instrument specialists around today. One such is the distinguished oboist and director Alfredo Bernardini, a member of the very first EUBO in 1985 and the director of this EUBO tour.
The current EUBO incarnation represents 14 different EU countries. They have been performing together since last July, and last performed in London in November 2016 (reviewed here) with a programme based on Handel and his London contemporaries. For this concert they focussed on Bach, performing three of the cantatas that he wrote for Leipzig festivals along with one of his most complex Orchestral Suites, here performed in the rarely heard original version, lacking the trumpets and timpani of the later version. Continue reading →
Handel and his London Colleagues
European Union Baroque Orchestra (EUBO)
Lars Ulrik Mortensen, director, Jan Van Hoecke, recorder
Royal Greenwich Early Music Festival
St Margaret’s, Lee Terrace, Blackheath. 22 November 2016
Galliard: Dances from Pan & Syrinx; Handel: Concerto Grosso Op 6/2; Babell: Recorder Concerto Op 3/1; Handel: Ballet music from Alcina; Sammartini: Recorder Concerto in F
Geminiani; Concerto Grosso Op 3/2; Handel: Water Music Suite No 3.
For most of my reviewing career, one of the musical highlights has been the visit of the European Union Baroque Orchestra (EUBO) to the UK. This extraordinary orchestra was founded in the UK in 1985, during European Music Year and the anniversaries of Bach, Handel and Scarlatti. Over the intervening 30 years or so, through their concerts and recordings, they have carved out an enviable reputation as an exciting orchestra whose professional and musical standards are always of the very highest. Many people listening to a EUBO concert for the first time are amazed to find out their unusual story. Not only is the orchestra made up of young post-graduate instrumentalists, broadly around the mid-20s age range, but every year the entire orchestra is disbanded, to be reformed the following year after a round of auditions.
Around 100 musicians attend one of two four-day residential training courses. All attendees gain from specialist training in their instrument as well as experience of playing in small groups and as an orchestra. From these courses, Continue reading →