Hymne à la Vierge
A Weekend of Excessively Good Taste. Music of the French Baroque – 2
Orchestra of the Age Enlightenment, Eamonn Dougan
Kings Place, 26 November 2016
Charpentier: Ave Regina H. 45, Litanies a la Vierge H. 90, Pro omnibus festis BVM H.333, Pulchra es a3 H.52, Regina Caeli H.46, Alma Redemptoris H.44, Litanies a la Vierge H.83;
F. Couperin: Concerto Royale No. 1
Monsieur de Saint-Colombe: Les Pleurs;
Marin Marais: Pieces de viole, Livre III: Suite No. 7 in G, Allemande le Magnifique
Robert de Visée: Prélude, Allemande, Les Sylvains de Mr Couprin, par Mr de Viseé
As the title suggested, this concert focussed on vocal music for Marian devotion, and in particular, that written by Marc-Antoine Charpentier. There is an unproven suggestion that he travelled to Rome to study painting, although he certainly built the foundations of his future musical career whilst studying with Carissimi. On his return, he joined the household of Marie of Lorraine, the Duchess of Guise in the privileged role of house composer. The musical bond between the Duchess and Charpentier was clearly strong, not least in their mutual admiration for Italian music and in devotion to the Virgin Mary. For around 17 years, until Marie’s death, Charpentier wrote for the musicians of her household, producing some of the most beautiful music from the whole French Baroque era, most of it in praise of the BVM. He later moved to posts at the Jesuit St Paul-St Louis and eventually to the Royal chapel of Sainte-Chapelle.
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Le coucher du soleil
A Weekend of Excessively Good Taste. Music of the French Baroque – 1
Instruments of Time and Truth, Edward Higginbottom, Robyn Allegra Parton
Kings Place, 25 November 2016
F Couperin: Sonate: La Pucelle, Première Leçon de Ténèbres, L’apothéose de Corelli;
Jacquet de La Guerre: Pièces de clavecin
Clérambault: Cantate Abraham
Leclair: Violin Sonata in C Major, Op 2/3
Mondonville: Pièces de clavecin avec voix ou violon: In decachordo psalterio, Regina terrae, Benefac Domine;
Rameau: Deuxième concert from Pièces de clavecin en Concert
The Kings Place year-long ‘Baroque Unwrapped’ series of concerts drew close to its end with a ‘A Weekend of Excessively Good Taste’, devoted to music of the French Baroque in a period where bon gout was the watchword. The concert by the Oxford based Instruments of Time and Truth, directed by Edward Higginbottom (an acknowledged expert on French music) looked at the increasing influence of Italian music after the rather musically insular period of the reign of the Sun King.
The concert opened and closed with François Couperin. His first trio sonata, La Pucelle (c1692), was written under an Italian pseudonym. His concluding L’apothéose de Corelli, was his more open attempt to show how the disparate Italian and French styles could, and should, be combined. The programme note quoted several comments from the time expressing the differences between the styles, including a reference to a lady of the Court of Louis XIV fainting with delight or terror at hearing an Italian inspired violinist playing his ‘rapid passages’. Louis XIV’s response to such Italian virtuosity was to invite a simple melody from a French violinist with the comments that ‘That is my taste’.
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