Sing We Yule!
Joglaresa, Belinda Sykes
St Bartholomew the Less, 8 December 2019
Formed by Belinda Sykes in 1992, Joglaresa is one of the most inventive and imaginative medieval music groups around. Their lively approach to music-making might not be the most ‘authentic’ around, but they bring enticing energy and brilliant communicative skills to performance. In their early years, they were strongly influenced by the music of the Islamic Middle East, based on the specific training and musical inspiration of Belinda Sykes. But that seemed less evident in their latest incarnation in this Sunday afternoon performance in London’s St Bartholomew-the-Less. It was a short-notice event added after earlier sell-out concerts, and itself also sold out.
London Festival of Baroque Music
St John’s, Smith Square, Grosvenor Chapel. 10-18 May 2019
The 2019 London Festival of Baroque Music is the 36th in a festival series that for most of its life was under the banner of the Lufthansa Festival. It is now managed by Richard Heason, director of St John’s, Smith Square, its principal venue. This year’s theme was ‘Crossing the Border’, exploring themes of travel and discovery. The festival website notes that “Throughout history musicians and musical ideas have crossed borders freely and frequently. Although national styles and identities have always developed and often have been celebrated in music, the musicians who have created and performed this music have honed their skills and talents by exploring influences and characteristics from a wide range of influences”. In these complex UK times, it was a timely reminder of the importance of travel for music and musicians. The Baroque era was a particularly important one for international cultural influences, not least in the UK where many continental musicians moved to England, and the aristocratic Grand Tour, one result of which was the foundation of the art collections of many 18th-century country houses. Continue reading
‘Women in Baroque Music’
St John’s, Smith Square, 17 May 2015
The third day of the festival started with ‘Sing Baroque’, with Robert Howarth, one of the Orchestra of the Age of Enlightenment’s regular conductors, leading a Sunday morning workshop on the choral sections of Vivaldi’s Gloria – “for all aspiring Baroque singers – no experience necessary!”. This is certainly not the sort of event that should be reviewed, but I will comment on the experience of watching a conductor at work from the other side of the podium. Conducting styles vary by personality (and over historic time), but there is a generation of younger conductors who focus on using collaboration, cooperation and genuine good humour (rather than dictatorship or bullying) as the key to communicating their ideas. It was clear that Robert Howarth is one of those. As well as giving the gathered singers an excellent insight into the music and aspects of performing it, Robert Howarth also made it an extremely entertaining occasion. Music’s gain is stand-up comedy’s loss.
The Sunday afternoon included a guided tour of The Wallace Collection exploring ‘Music, Dance and Gallentry in 18th-century French Art’, followed by a concert focusing on the harpsichord music of Elizabeth Jacquet de La Guerre (1665-1729) given by Béatrice Martin. Continue reading