The Mozartists:Mozart Birthday Concert

Mozart Birthday Concert
The Mozartists, Ian Page
Zheng Jiang, Alexander Semple
Cadogan Hall. 27 Januarys 2026


Mozart: Entr’acte from Incidental Music to Thamos, König in Ägypten, K.345
Mozart Concert Aria, “Ombra felice… Io ti lascio”, K.255
Haydn: Symphony No. 69 in C major, ‘Laudon’
Mozart: Two Entr’actes from Incidental Music to Thamos, König in Ägypten, K.345
Haydn: Three arias from Die Feuersbrunst
Mozart: Symphony from Serenade in D major, K.250, ‘Haffner’

The Mozartists‘ continued their ambitious MOZART 250 project, now entering its 12th year, with a 270th birthday concert featuring music composed during 1776. On his 20th birthday, Mozart was in Salzburg, as he would be for the whole of 1776, for the first time since he was five. By his standards, it was to prove a relatively quiet year, although it is worth remembering that he had by then already composed more than thirty symphonies, around half of his operas and all of his violin concertos! It does seem as though 1776 represented a valuable stage in his artistic development, with one writer commenting (in reference to the Haffner serenade that concluded this concert), “1776 sees the full blossoming of his rarest gifts of music and poetry.”

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Baroquestock: The Haydn Boys

 Baroquestock
IstanteClassical: The Haydn Boys
Heath Street Baptist Church. 28 April 2018

One of the most exciting music venues to hit London in recent years has been a rather unassuming Baptist church in Heath Street, Hampstead. Bowing to the inevitable, they have reduced their services to Sunday mornings, but have encouraged a wide variety of activities during the rest of the week, including lunchtime and evening concerts. In 2016  a complete weekend was devoted to the ‘Hampstead Baroque Festival’ which concluded in a Bratwurst, Beer & Bach concert given by the then newly-formed period-instrument collective Istante, ‘ensemble in residence’ at Heath Street Baptist Church. Last year, this festival morphed into the more imaginatively named Baroquestock. I reviewed the opening concert when they hosted one of the Orchestra of the Age of Enlightenment’s ‘Night Shift’ events, aimed at just the sort of younger-than-usual classical music audience that Heath Street had already been attracting. In an imaginative, albeit brave bit of programming, the concert was devoted to a performance of Schoenberg’s Verklärte Nacht, complete with ‘Schoenbergers’. My review is here, noting that the “large and enthusiastic crowd was yet another indication that adventurous musical programming and providing something a little different from the normal run of musical events can draw the crowds”.

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