Handel in Italy

Handel in Italy
Gabrieli Consort & Players, Paul McCreesh, Gillian Webster
St John’s, Smith Square. 28 March 2017

Corelli: Concerto Grosso in D Op. 6 No. 4; Handel: Donna che in ciel HWV233; Dixit Dominus HWV232

Although, in true British fashion, George Frederic Handel is usually claimed as the quintessential English composer, some of his most exciting music was composed during the four years he spent in Italy (1706-10). Early training seemed to set Handel on course to be an organist and church musician, to the extent that he travelled to Lübeck in 1703 with a view to succeeding the great Buxtehude at the Marienkirche. But three years in Hamburg’s opera world (1703-6) changed that ambition, and resulted in an invitation by a Medici to come to Italy. He was already well-versed in the Italian music through his early training with Zachow in Halle, but his ability to immediately absorb national styles quickly became apparent, as it later did on his arrival in London in 1710. Continue reading

Handel: L’Allegro, il Penseroso ed il Moderato, 1740

Handel: L’Allegro, il Penseroso ed il Moderato 1740
Gabrieli Consort & Players, Paul McCreesh
Signum SIGCD392. 2 CDs.  77’12+64’26=141’38.

 L’Allegro, il Penseroso ed il Moderato, Concerto Grosso in G (Op 6/1), Concerto Grosso in E Minor (Op 6/3), Organ Concerto in B-Flat (O  7/1)

Handel’s L’Allegro, il Penseroso ed il Moderato is one of his most attractive and approachable, but also his most complex and confusing, works. It is not clear what it is. It is not an opera, an oratorio, ode or cantata, but was loosely described at the time as ‘an entertainment’. There is no plot, no human characters or underlying narrative. The title is in Italian, the text in English. The three ‘characters’ of the title represent the contrasting temperaments of mirth (Allegro) and melancholy (Penseroso), joined, in the third part, by Moderato, the voice of reason, restraint and, it seems, “chaste love”. Two of the ‘roles’ are each sung by three different voices (Allegro by tenor, boy treble and bass; Moderato by baritone, soprano and tenor), with Allegro on one occasion sung as a duet. Continue reading