In honour of the Virgin
The Cardinall’s Musick
St John’s, Smith Square. 14 December 2016
The 31st St John’s, Smith Square Christmas Festival features most of the usual suspects, including regulars, The Cardinall’s Musick. As is typical of their concerts, the focus was on Catholic liturgical music from the Renaissance, on this occasion in honour of the Virgin Mary. In a ‘greatest hits’ line-up of Renaissance composers, the first half was built around Lassus’s Missa Osculeter me osculo oris sui alternating with motets by Victoria; the second centered on Byrd’s Propers for the Nativity of the Virgin Mary and concluded with Palestrina’s Magnificat primi toni a 8.
I have never quite understood how the Song of Songs managed to get accepted into the Bible. However much commentators from the Jewish or Christian tradition attempt to find allegorical links in the Song of Solomon, in the latter case, with the New Testament stories, it remains so obviously an evocation of sexual love of a most explicit kind: the closest that Solomon could get to internet porn. Continue reading
This is the penultimate recording in The Cardinal’s Musick’s Tallis Edition, and it opens with a masterpiece, the two settings of the Lamentations of Jeremiah. As Andrew Carwood explains in his programme notes, it seems that they were written during the reign of Queen Elizabeth, rather than the earlier Catholic Queen Mary. It is not clear why these, and other similar Lamentations, were composed or when they would have been performed, if not in the Holy Week Tenebrae service in the Catholic rite – hence the usual assumption of composition during Queen Mary’s reign. They are remarkable pieces, using the simple textural style of one note per syllable encouraged by Archbishop Cranmer. The Hebrew incipits are particularly well set, as are the concluding, and rather sombre 