OAE Player: Seeing Double

Seeing Double’
Orchestra of the Age of Enlightenment, Jonathan Cohen
Kati Debretzeni, Nicola Benedetti, Rudolfo Richter
Katharina Spreckelsen, Sarah Humphrys
OAE Player. 19 November 2020

Avision Concerto Grosso no.5 in D minor
Vivaldi Concerto in D for two violins RV 513
Vivaldi Concerto in D for two violins RV 514
Vivaldi Concerto in A minor for two oboes RV 536
Bach Concerto in D minor for two violins BWV 1043
Purcell Rondeau from Abdelazer

The second of the Orchestra of the Age of Enlightenment’s premieres on their digital platform OAE Player was a concert of Vivaldi and Bach double concertos recorded at the Snape Maltings in front of a socially-distanced audience. Many people will have already heard or seen an expanded version of the programme as one of the live concerts of the much reduced 2020 BBC Proms season. The principal violin soloist for both concerts should have been Alina Ibragimova, but the death of her father (the distinguished double bass player Rinat Ibragimov) the day before the Prom resulted in Nicola Benedetti stepping in for the Proms and this concert, which seems to have been recorded the following day in the far more suitable acousics of the Snape Maltings.

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The Concerto in England: Handel & contemporaries

The Concerto in England: Handel & contemporaries
Avison Ensemble
Kings Place. 30 September 2016

Concertos by Avison, Garth, Handel, Herschel and Stanley.

As part of the Kings Place ‘Baroque Unwrapped’ season, the Newcastle-based Avison Ensemble explored the world of the 18th century concerto, and the equally interesting world of English provincial musical life. Charles Avison (pictured) was a Newcastle born organist and composer who absorbed the musical style of Geminiani and Scarlatti during a short period in London before being enticed back to Newcastle with the promise of prestigious organist post complete with a new organ. He made a handsome living through teaching and arranging subscription concerts. He was also a fierce reviewer of other composers, including Handel.

Avison’s 1758 Concerto Grosso in D (Op6/9) was an excellent example of the rather conservative type of piece that he wrote for the Newcastle Music Society. A rather bucolic opening reminiscent of hunting horns over a drone Continue reading