Handel: Agrippina
Academy of Ancient Music, Robert Howarth
The Grange Festival, Hampshire. 16 June 2018
Handel’s Agrippina was first performed in 1709 during the Venice Carnival when he was just 23. It was towards the end of his three-year stay in Venice and used a considerable amount of borrowed material from Handel and other composers. It was an immediate success, with a further 26 performances, but was not revived again until modern times. It is now considered his first major operatic success. With its story of intrigue, rivalry, and deception in historic Rome, Cardinal Vincenzo Grimani’s libretto for Agrippina is said to reflect his own political rivalry with Pope Clement XI. The plot tells of Agrippina’s ruthless plan to usurp her husband Emperor Claudius and place her son, the youthful Nerone, on the throne. The sexually provocative Poppea joins in the fray in a complex plan to undo Agrippina’ plot, not least in her attempts to discredit Ottone, who Claudius wants to create Emperor as a reward for saving his life. It certainly had many political and cultural undertones at the time, and perhaps still does today.


account of its appearance and landscape importance, and placed into the guardianship of
Spitalfields Music has been an extraordinary musical and community success since its foundation 40 years ago. Starting life with a 1966 concert to help save Nicholas Hawksmoor’s architecturally important Christ Church Spitalfields (which was then, unbelievably, under threat of demolition) it soon grew into a ‘Summer Festival of Music’ led by Richard Hickox. Initially under the auspices of the Friends of Christ Church, it became an independent organisation and charity in 1989, setting up their continuing community and education programme two years later. Under the artistic and managerial leadership of the likes of Judith Serota, Michael Berkely, Judith Weir, Jonathan Dove, Diana Burrel, Abigail Pogson and the current Chief Executive, Eleanor Gussman, it has grown into an major musical and community force in London, sharing their passion for music with nearly half and million people, attracting more than 325,000 audience members to events in more than 70 venues in the Spitalfields and Tower Hamlets area. Alongside their Summer and Winter Festivals, they run an enormous Learning & Participation programme involved more than 125,000 people.