Un niño nos es naçido – An Iberian Christmas
The Renaissance Singers, David Allinson
St Sepulchre-without-Newgate (Holy Sepulchre), 13 December 2025
J.G de Padilla Christus Natus Est
C. de Morales Sancta et immaculata virginitas
F. Guerrero Missa Sancta et immaculata
C. de Morales Ave Maria, gratia plena
T.L. de Victoria Ecce Dominus veniet
R. de Ceballos O Virgo Benedicta
A. de Silva Alma redemptoris Mater
P. Ruimonte Luna que reluces
F. Guerrero Al resplandor de una estrella; Niño Dios d’amor herido; Alma mirad vuestro Dios
Diego José de Salazar ¡Salga el torillo hosquillo!
This imaginative programme from the always excellent Renaissance Singers aimed “to dispel the cynicism of modern Christmastide with a mixture of superb motets, mass music and villancicos drawn from the Spanish golden age”. Most of the music was based on musicians of Seville’s Cathedral, Santa Maria de la Sede, notably the composer Cristóbal de Morales and his pupil Francisco Guerrero, whose Missa Sancta et immaculata was the focus of the first half of the concert.
The Renaissance Singers have a history that goes back to 1944. They played an important part in the revival of interest in Renaissance sacred polyphony as the early music movement grew and developed. Their 2017 Christmas concert, in the architecturally important Hawksmoor church of St George’s Bloomsbury, sensibly avoided carols and concentrated on what they do best: singing Renaissance music. Under the inspired direction of their musical director, David Allinson, they presented a programme of seasonal music centered on the composer Clemens non Papa and his Missa Pastores quidnam vidistis, together with music by Josquin, Verdelot, Gombert and Willaert.
Andrew Benson-Wilson : Early Music Reviews + 