Diego Ortiz: Trattado de Glosas

Diego Ortiz: Trattado de Glosas
Les Basses Réunies
Bruno Cocset, Guido Balestracci
Outhere: Alpha 563. 59’31

We know little about the life of Diego Ortiz (c1510-c1576). He is believed to have been born in Toledo, and worked in Naples for Ferdinand Álvarez de Toledo, Duke of Alba when he was the Spanish Viceroy there. He eventually became Maestro di Cappella of the Neapolitan Chapel Royal. He seems to have spent his final years in Rome. He published his influential Trattado de glossas sobre clausulas y otros generos de puntos en la musica de violones nuevamente puestos en luz in 1553, while in Naples. Continue reading

Bach: Du treuer Gott

J S Bach: Du treuer Gott
Leipzig Cantatas BWV 101 – 103 – 115

Collegium Vocale Gent, Philippe Herreweghe
Outhere music LPH027.62’26
Nimm von uns, Herr, du treuer Gott BWV 101
Mache dich, mein Geist, bereit BWV 115
Ihr werdet weinen und heulen BWV 103

Following two earlier CDs (LPH006 and LPH012) that focussed on cantatas written during Bach’s first year in Leipzig, this recording looks at the second cycle of cantatas, composed in 1724/5. Nimm von uns, Herr, du treuer is based on the chorale melody better known as Vater unser im Himmelreich, the Lutheran version of the Lord’s Prayer. Apart from the first aria (with its delightfully jovial flute solo), this well-known melody is heard in all movements. The two recitatives are interesting, with both alternating the chorale melody with recitative passages, the first in a particularly dramatic mood, the second with some evocative harmonic sequences. The central bass aria also switches between chorale and aria. Bach uses a strong orchestration, with three trombones, three oboes, an oboe da caccia, and a cornett – an unusual use of an instrument that would have been seen as distinctly old-fashioned at the time. The final aria, a reflective duet for soprano and alto, combines flute and oboe da caccia.  Continue reading