Renaissance Singers: Voices from the Shadows

Voices from the Shadows: Lux Aeterna
A Requiem from Puebla Cathedral
Lamentations and motets from Spain and the New World

The Renaissance Singers, David Allinson
St Pancras New Church. 10 February 2024

I have reviewed The Rensaissance Singers many times over the years, and they always impress. But this concert was really something special. Not only was the performance outstanding, but the choice of music, much of it being heard for the first time in the UK, was a brilliant choice by their inspirational musical director and conductor David Allinson. Their programme was based on the music of Spain and the New World in the build-up to Easter and the traditional Day of the Dead celebrations, with a musical focus on two principal churches, the Cathedral of the Immaculate Conception in Pueblo de los Angeles.

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Programme notes: Byrd’s World

Mayfair Organ Concerts
St George’s, Hanover Square, 1 August 2023

“Byrd’s World”
William Byrd’s 400th anniversary
Andrew Benson-Wilson

Antonio de Cabezón (1510–1566) Tiento del Primer Tono
Thomas Tallis (c1505-85) Ecce tempus idoneum
William Byrd (1540–1623) Praeludium to the Fancie BK12 – Fantasia BK13
Giovanni Gabrieli (1557–1612) Toccata (C237)
Hieronymus Praetorius (1560-1629) Magnificat Septimi Toni
Jan Pieterszoon Sweelinck (1562–1621) Fantasia à 3 SwWV 271
Jehan Titelouze (1562–1633) Conditor alme siderum (3v)

This is the second of two recitals celebrating the 400th anniversary of the death of William Byrd on 6 July 1623. The first was on the historic organ in Christ’s Chapel of God’s Gift in Dulwich and featured music by Byrd and Bull. This recital contrasts one of Byrd’s most imaginative and adventurous Fantasias with music by his contemporaries in Spain, England, Italy, Germany, The Netherlands, and France.

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Diego Ortiz: Trattado de Glosas

Diego Ortiz: Trattado de Glosas
Les Basses Réunies
Bruno Cocset, Guido Balestracci
Outhere: Alpha 563. 59’31

We know little about the life of Diego Ortiz (c1510-c1576). He is believed to have been born in Toledo, and worked in Naples for Ferdinand Álvarez de Toledo, Duke of Alba when he was the Spanish Viceroy there. He eventually became Maestro di Cappella of the Neapolitan Chapel Royal. He seems to have spent his final years in Rome. He published his influential Trattado de glossas sobre clausulas y otros generos de puntos en la musica de violones nuevamente puestos en luz in 1553, while in Naples. Continue reading