Arne

Italian Legacies: Geminiani and his English Contemporaries

~ Andrew Benson-Wilson

Italian Legacies: Geminiani and his English Contemporaries
Academy of Ancient Music, Bojan Čičić, Anna Devin
Milton Court, 7 February 2025

Arne Overture in G major No. 3
Mudge Concerto No. 1 in D major
Geminiani Concerto Grosso in C major Op. 7 No. 3
Linley Music for The Tempest
Boyce Overture from Peleus and Thetis
Linley Violin Concerto in F major
JC Bach La Tempesta

Billed as “Swinging London meets Italian flair, 18th-century style”, this imaginative concert from the Academy of Ancient Music, directed from the violin by Bojan Čičić, took us on a tour of the music scene in 18th-century Britain: a place where “everything was up for grabs”. The blurb continued – “A nation was remaking its identity – embracing global fashions and diverse cultures, and locked in passionate debate about its relationship with Europe. English composers wrote Italian operas, the spirit of Shakespeare met the inspiration of Corelli and Vivaldi, and Bach’s youngest son carved out a musical niche that was entirely his own”.

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Handel’s Attick: Music For Solo Clavichord

~ Andrew Benson-Wilson

Handel’s Attick: Music for Solo Clavichord
Julian Perkins, clavichords
Music by Arne, Ebner, Froberger, Handel, Kerll, D Scarlatti, Weckmann and Zachow
Deux-Elles DXL 1191. 75’33


This excellent recording from Julian Perkins is based on a story from Handel’s childhood, as told by John Mainwaring in his 1760 Memoirs of the Life of Handel. His father, suspicious of his musical interests, tried to stop him from playing any musical instruments at home. This led to Handel smuggling a tiny clavichord into the attic of their house so that he could practice at night, having “found means to get a little clavichord privately convey’d to a room at the top of the house“.

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Arne: Judgement of Paris

~ Andrew Benson-Wilson

Thomas Arne: The Judgement of Paris
Brook Street Band, John Andrews
Dutton Epoch CDLX 7361. 67’50

If it wasn’t for his Rule Britannia (1710-1778), Thomas Arne would probably be more-or-less forgotten today. Although he wrote music for nearly 100 stage works, most of his scores are lost, many destroyed in the 1808 Covent Garden fire. Such was the fate of the full score of The Judgement of Paris, although parts if it had been published. The version performed here is based on that publication, with the missing recitatives and choruses reconstructed by Ian Spink for his Musica Britannica edition. It was first performed at Drury Lane Theatre in March 1742 and, three months later, in Dublin alongside his masque Alfred. His wife Cecilia Young sang the role of Venus. Continue reading →

Mozart in London

~ Andrew Benson-Wilson

Mozart in London
A musical exploration of Mozart’s childhood visit to London, 1764-65
The Mozartists, Ian Page
Signum Classics SIGCD534. 2 CDs. 77’36&67’14

The Classical Opera/Mozartists Mozart 250 project has been underway for four years, with a number of successful recordings and events already under their belt. This (rather delayed) review of a double CD set released in May 2018 takes us back to the beginning of the project: the ‘Mozart in London’ Festival weekend of events at Milton Court in February 2015. The weekend included talks, discussions and concerts over a three-day period. My review of two of those events can be found here. Several other Mozart 250 reviews are here. The ‘250’ of the title refers to the years since Mozart’s childhood visit to London (23 April 1764), during which he composed his first significant works. The plan is to “follow the chronological trajectory of Mozart’s life, works and influences”, culminating in 2041, the 250th anniversary of Mozart’s death. These two CDs were recorded live during the various concerts of the 2015 weekend. They are an impressive record (quite literally) of the start of one of the most impressive and ambitious musical projects of our time. Continue reading →