Bojan Čičić. Bach: Partitas & Sonatas

Bach: Partitas & Sonatas
Bojan Čičić, violin

Delphian DCD34300. 78’46+67’14, 2CDs


Many of Bojan Čičić‘s recordings have focussed on lesser-known composers, their music brought to life with inspiring performances. He now turns his attention to Bach with this recording of the Partitas & Sonatas (Sei solo à violin senza basso accompagnato), BWV 1001-1006. Unusually, the Partitas are on the first CD with the Sonatas on the second, rather than in the order that Bach seems to have intended with the two genres alternating. This allows us to concentrate on how Bach deals with the sequences of dance movements in the Partitas and the more formal Corelli-inspired four-movement structure of the Sonatas.

Continue reading

Bach: transcriptions for Viola da Gamba

J S Bach: transcriptions for Viola da Gamba
Susanne Heinrich
dagamba100. 79’30

Partia 3 in E Major (D Major), BWV1006; Sonata 2 in a minor, BWV 1003; Partia 2 in d minor, BWV1004

Js Bach Transcriptions for Viola Da GambaAlthough this CD was released in 2012, it has only just emerged from an embarrassing pile of CDs, still in their wrappers, that I found in one of my rare tidy-ups. I have missed four years of listening to some outstanding playing from Susanne Heinrich. As her own very personal programme note explains, this is something of a labour of love. A youthful player of the violin, Susanne Heinrich attempted the Bach solo violin works, but never with much success. Her viola da gamba playing was already beginning to take over from the violin, and she lamented the fact that Bach left so little music for the viol. But the draw towards his solo violin works never left her, leading to a much later attempt to play them on the gamba – very far from an easy thing to do.

That led to a considerable amount of work in trying to work out how they could be played successfully on the gamba, raising questions as to Continue reading

Lausanne Bach Festival – Bach solo violin

Lausanne Bach Festival – Bach solo violin
Christine Busch
Église de Villamont, 20 November 2015

WP_20151120_12_44_22_Pro.jpgThe second of the two festival concerts that I attended was in direct contrast to Messiah: a concert of Bach solo violin music in the intimate surroundings, and attractive acoustic, of the Église de Villamont. Playing the first and third Sonatas and the second Partita, Christine Busch demonstrated a sure grasp of the Bach violin idiom, despite playing what seemed to be a modern violin – or, at least, a violin with what appeared to be a modern set up, complete with tuning aids, chin and shoulder rests, a long finger board, and high bridge.

The opening Adagio of the first Sonata was improvisatory in mood and feel, giving a sensation of Bach trying out ideas – something at the heart of these compositions. Continue reading