An Adriatic Voyage


An Adriatic Voyage
The Illyria Consort and The Marian Consort

Bojan Čičić, Rory McCleery, directors
London Festival of Baroque Music
St John’s Smith Square. 15 May 2022

CD: Adriatic Voyage
Seventeenth-century music from Venice to Dalmatia
Delphian DCD 34260. 58’26

Music by Francesco Sponga (aka Usper), Gabriel Spona, Gabrielo Puliti,
Vicenz Jelić, Julije Skovelić, Ivan Lukačić, and Thomasso Cecchini.

It is not often that I review a concert where only one of the composers seemed familiar, and that one confused me with a different version of his name. This excellent concert (and the extended CD version) was inspired by the record of a 1575 journey by the Venetian diplomat and naval commander Giacomo Soranzo as he set sail from Venice to Constantinople. As they sailed down the Istrian coast, (present-day Croatia) they called in at various port cities, most of which were within the territory of the Venetians and subject to the continual movement of trade and people bringing different influences to the varied local culture. The concert is by composers who lived on the Dalmatian coast in the years after Soranzo’s expedition.

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Croce: Motetti & Sacrae Cantiones

Croce: Motetti & Sacrae Cantiones
Voces Suaves, Concerto Scirocco
Arcana A439. 52’19

 

Giovanni Croce (also known as Il Chiozzotto) was a choirboy in St Mark’s Venice under Zarlino, eventually becoming maestro di cappella around six years before his death in 1609, four years before Monteverdi took up the same post. He was also connected to Santa Maria Formosa, possible as a priest as well as a singer. Although renowned in his own day, he has been overshadowed by his most illustrious predecessors and successors. His music is not as grand as the Gabrielli’s, or a refined as Monteverdi, although the influence of the former is clear, notably in his polychoral writing.  Continue reading