Programme notes: Byrd’s World

Mayfair Organ Concerts
St George’s, Hanover Square, 1 August 2023

“Byrd’s World”
William Byrd’s 400th anniversary
Andrew Benson-Wilson

Antonio de Cabezón (1510–1566) Tiento del Primer Tono
Thomas Tallis (c1505-85) Ecce tempus idoneum
William Byrd (1540–1623) Praeludium to the Fancie BK12 – Fantasia BK13
Giovanni Gabrieli (1557–1612) Toccata (C237)
Hieronymus Praetorius (1560-1629) Magnificat Septimi Toni
Jan Pieterszoon Sweelinck (1562–1621) Fantasia à 3 SwWV 271
Jehan Titelouze (1562–1633) Conditor alme siderum (3v)

This is the second of two recitals celebrating the 400th anniversary of the death of William Byrd on 6 July 1623. The first was on the historic organ in Christ’s Chapel of God’s Gift in Dulwich and featured music by Byrd and Bull. This recital contrasts one of Byrd’s most imaginative and adventurous Fantasias with music by his contemporaries in Spain, England, Italy, Germany, The Netherlands, and France.

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Titelouze: Hymnes de l’église & Le Magnificat

Jehan Titelouze
Hymnes de l’église & Le Magnificat
Ed. Jon Baxendale
251 pages • ISMN 979-0-706670-54-6 (Hardback) • 979-0-706670-55-3 (Wire)
Lyrebird Music. LBMP–026

The latest in the enterprising range of music editions from Lyrebird Music features the only known organ publications of Jehan Titelouze (c1562-1633), organist at Rouen Cathedral and generally considered to be the founder of the French organ school. He composed his two books of organ versets in 1623 and 1626. The 1623 Hymnes de l’Église pour toucher sur l’orgue, avec les fugues et recherches sur leur plain-chant was the first published collections of organ music in 17th-century France, and the first since the 1530s. It contained sets of three or four verses for each of the twelve major hymns of the church year. The 1626 Le Magnificat ou Cantique de la Vierge pour toucher sur l’orgue suivant les huit tons de l’Église included settings of eight Magnificats in all eight church modes, each with seven verses. They both used the alternatim format with organ (odd-numbered) verses alternating with the even-numbered verses which would have been sung by a cantor or a choir.

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