House of Monteverdi

House of Monteverdi
Spitalfields Music Festival 2017
St Leonard’s Church, Shoreditch
2 December 2017

Things have changed at Spitalfields Music, as the opening night of their annual Winter Festival demonstrated. They have traditionally concentrated on early and contemporary music and, to a certain extent, continue that focus, although the target audience now seems very different from previous years. For the first of their new-style Winter festivals, they have bought in an Artistic Curator, André de Ridder, a conductor who crosses musical borders, not least in his involvement with electronic and pop music. His concept was for a festival made up of a series of ‘mini-festivals’, combining different genres and musicians. The focus is on much younger composers and performers that hitherto. The opening mini-festival, House of Monteverdi, was a 4½ hour marathon featuring four featured young composers, together with the four members of the Hermes Experiment, who jointly composed one of their pieces. The four world premieres and two UK premieres were contrasted and alternated with (and were sometimes influenced by), extracts from Monteverdi’s Eighth Book of Madrigals – the Songs of Love and War.  Continue reading

Spitalfields Music: Cries of London

Spitalfields Music: Cries of London
Red Byrd, Fretwork
St Leonard’s, Shoreditch. 4 December 2015

Spitalfields Music approach their 40th anniversary year with an ever increasing reputation of inspired support and encouragement for music in the Tower Hamlet area of east London. Alongside their Summer and Winter Festivals, they run an enormous programme of community projects, reachinThe Cries of Londong some 30,000 people a year. Their latest Winter Festival opened (in Shoreditch parish church) with a very apt programme based on the early 17th century vogue for composing music based on the hubbub of London’s street sellers and criers, reflecting a tradition of loudly publicising wares that exists to this day in placed like the nearby Petticoat Market.

In a well-planned programme built around Orlando Gibbons’ Cries of London and Richard Dering’s Country Cries Continue reading