‘Tis Nature’s Voice
Academy of Ancient Music
Bojan Čičić, Laurence Cummings
Barbican Hall, 30 June 2023

Mendelssohn: Hebrides Overture Op.26;
Violin Concerto in E minor, Op. 64
Beethoven: Symphony No. 6 ‘Pastoral’
The Academy of Ancient Music concluded its 2022/3 season, ‘Tis Nature’s Voice, with a venture into the early Romantic era, a suitable continuation of the theme of their opening concert, Hadyn’s The Seasons. They promised “thunderstorms, sea spray, nightingales and country dances and other beauties of nature as interpreted romantic style”. For those not used to music of the romantic era played on period instruments, this must have been a revelation. Indeed, it might also have been a revelation for some in the AAM as most of their repertoire stops before Mendelssohn and Beethoven.

This rather unusual CD reflects one of the glories of 19th century domestic music-making (itself reaching its zenith in that period), the repertoire for two voices and piano, in this case represented by Cornelius, Mendelssohn, and Schumann, three of the finest masters of the genre. Generally overlooked nowadays in favour of larger scale performances, this CD reflects a now almost completely forgotten aspect of earlier home life: music making centred on the domestic piano. However, in this case, the venue is more likely to be a saloon, given the recording acoustic of a church and the rather unauthentic use of a modern concert grand piano (given its own billing in the programme note as a Steinway model D, serial number 589064) rather than a period piano – or, indeed, the more likely upright to be found in most 19th century homes.