Linarol Consort: La la hö hö

La la hö hö
Sixteenth-century viol music for the richest man in the world

The Linarol Consort
Inventa Records INV1005. 67’26

It is not known whether the ‘richest man in the world’, the merchant and banker to the Hapsburgs, Jakob Fugger of Augsburg (aka ‘Fugger the Rich’), actually commissioned the manuscript recorded here, as suggested by David Hatcher’s programme notes. But it was certainly in the Fugger library soon after its completion around 1535. That was ten years after Jacob’s death when his nephew Anton Fugger was head of the family and was probably also the ‘richest man in the world’. Following the reduction in the Fugger family’s power in the mid-17th century, their vast library was sold to Emperor Ferdinand where it became the foundation of the National Library of Austria. The manuscript (Vienna Ms. 18-810) contains 86 pieces of German, Flemish and French pieces, mostly by composers such as Heinrich Isaac, Ludwig Senfl and Paul Hofhaimer, linked to the court of Maximillian I, together with Pierre de la Rue and Josquin des Prez, favourites of his daughter Marguerite of Austria, then ruler of The Netherlands.

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Josquin 500: Pie memorie

Josquin 500
Pie memorie: A valediction in voices and viols
Linarol Consort, Binchois Consort
, Andrew Kirkman
Recorded in Leominster Priory. Available online until 31 October 2021


The Linarol Consort’s Josquin 500 festival, marking the 500th anniversary of Josquin des Prez’s death, is taking place during August and September 2021 with a series of live and streamed events. There are several options for booking online access to the events. The first of these events was Pie memorie: “A valediction in voices and viols” with The Linarol Consort & The Binchois Consort, recorded at a live concert in Leominster Priory on 20 August 2021 and available online from 27 August, the anniversary of Josquin’s death, until 31 October 2021. The premise for this concert was to imagine Josquin’s friends, colleagues and admirers coming together to pay their funeral respects in a house near the church of Condé sur Escaut. Viols and voices join in songs and motets of lamentation, including Richafort’s Requiem, as they hoped to aid Josquin’s soul’s route to salvation.

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