Laus Polyphoniae 2023, Antwerp

Laus Polyphoniae 2023
Antwerp. Townscape – Soundscape

Antwerp
18 – 22 August 2023

As the name implies, Antwerp’s annual Laus Polyphoniae festival is devoted to the music of the late Middle Ages and the Renaissance, a time when polyphony was paramount. Under the title of Antwerp: Townscape – Soundscape this year’s festival asked the question: “What did Antwerp sound like in the 15th and 16th centuries”? Alongside the shouting in the streets and markets and the dockland sounds, what music sounded in the churches and city palaces during Antwerp’s heyday?

Antwerp experienced an unprecedented economic and cultural boom in the late 15th and 16th centuries. The city was an international metropolis. Goods from all over the world were traded by merchant families who amassed large fortunes. Music was played in many places in the bustling city, from grand churches to private homes. The best singing masters were recruited to compose music for the liturgy. Publishers printed music for those who made music at home. Antwerp was also a centre of printing. Printers such as Phalesius and Plantin were renowned for the high quality of their music publications and surviving prints mean that music can still be performed. Several concerts during the festival were dedicated to these Antwerp music prints. 

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Antwerp: Laus Polyphoniae 2019

Laus Polyphoniae 2019
Mary of Burgundy & The Burgundian Court
Antwerp, Flanders. 16-20 August

The 26th annual Laus Polyphoniae explored the flourishing cultural scene in the time of Mary of Burgundy (1457-1482), one of the most powerful women in Western Europe during the late Middle Ages. She came to power in the Netherlands in 1477, aged 20, but found that her father, Charles the Bold, had left an empty state treasury, hostile neighbouring countries and domestic revolts. Thanks to her diplomatic skills, the young Duchess managed to calm the situation, notably in Flanders. She was the most sought-after bride in Europe with many suitors, eventually marrying Maximilian of Austria, thereby linking the House of Burgundy to that of the powerful Habsburgs. She died in 1482, at just 25 years old after a fall from her horse. The week-long Laus Polyphoniae festival featured secular and religious music relating to Mary of Burgundy and her time, performed by ensembles from Belgium and abroad, including Stile Antico, Ensemble Leones, Comet Musicke, Utopia and Huelgas Ensemble. I was able to attend for most of the first five days, including the International Young Artist’s Presentation (IYAP) events on the first weekend.  Continue reading