The Mysterious Motet Book of 1539

The Mysterious Motet Book of 1539
Siglo de Oro, Patrick Allies

Delphian DCD34284. 67’14

The Mysterious Motet Book of 1539 of the title refers to a collection of sacred music assembled by the choirmaster of Milan Cathedral and sent, for reasons that are unclear, to Peter Schöffer, a Protestant publisher in Strasbourg. They were published in 1539 as Cantiones quinque vocum selectissimae. One of the mysteries is why such strongly Catholic music should be published in the equally strongly Protestant Strasbourg? In a collaboration with Cambridge University researcher Dr Daniel Trocmé-Latter, Siglo de Oro has selected 12 of the 38 Latin motets from the collection. These include pieces by Arcadelt, Willaert, and Gombert together with some lesser-known (or, indeed, completely unknown) composers such as Johannes Sarton.

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Renaissance Singers: A Flemish Christmas

A Flemish Christmas
Shepherds, what have you seen?

Renaissance Singers, David Allinson
St George’s Bloomsbury. 17 December 2016

Music by Clemens non Papa, Josquin, Verdelot, Gombert and Willaert.

WP_20161217_18_59_25_Pro.jpgThe Renaissance Singers have a history that goes back to 1944. They played an important part in the revival of interest in Renaissance sacred polyphony as the early music movement grew and developed. Their 2017 Christmas concert, in the architecturally important Hawksmoor church of St George’s Bloomsbury, sensibly avoided carols and concentrated on what they do best: singing Renaissance music. Under the inspired direction of their musical director, David Allinson, they presented a programme of seasonal music centered on the composer Clemens non Papa and his Missa Pastores quidnam vidistis, together with music by Josquin, Verdelot, Gombert and Willaert.

The excellent and comprehensive programme notes (by choir member Tony Damer) explained the background of the concert, including an interesting explanation for Clemens’ enigmatic nickname non Papa (‘not the Pope’) as meaning something akin to ‘not an Angel’. He was certainly a very naughty boy, described in one (not surprisingly, unsuccessful) employment reference as being ‘a drunk Continue reading